Category: Humor

Shaking off the Dust

Published on by Martha Mattingly PayneLeave a comment

When I launched this site a decade ago (!), I expected to share a few posts about the exhausting, cathartic, sometimes funny and strangely exhilarating process of cleaning out my parents’ attic. One damp box of mid-20th century toothpicks led to another, and thanks to support and input from readers like you, I learned that sharing family stories not only kept my late parents alive, it sustained me through the joys and sorrows of the years that followed.

In that spirit, and because honestly, how much more can be said about faded photographs and mildewed button boxes, I’ve decided to creak shut the attic door and launch a new site. It’s called “Why the World Wags,” and in it, I plan to wax on about well, whatever grabs me as I move along through life. Ten years on (!!!) from that first post here in “My Mothers’ Attic,” I find myself teetering at the edge of what some call the golden years. Has there ever been a more obvious euphemism? Golden in the sense of being burnished by life perhaps, but there are days when the world around me seems cast in the gray light of dusk. And yet! At other times, that world seems to sparkle in a way I rarely noticed when I was younger–when a bluebird lights on a leafy branch in our back garden, his feathers aglow with morning light, or when I’m able to revisit a place I’ve come to love, like the brilliant waters off the coast of Belize pictured above, or when my toddler granddaughter reaches for me, smiling, and calls my name (which at her bidding, seems to be “Gaga”).

Golden moments, every one.

If you’d like to join me on my continued journey, here is the first newsletter/post from the new site. I’ll be migrating some of my more popular posts from here to there, usually with some editing, but I’ll leave the Attic open a good while, too. To visit the new site itself, just click below. If you like what you read, consider subscribing (s’il vous plaît!)!

https://marthamattinglypayne.substack.com/

Thanks for reading, always, and I hope to see you in Why the World Wags!

A decade! Maybe that explains the shocking loss of melanin 🙂

Smoke Got in My Eyes

Published on by Martha Mattingly Payne2 Comments
Dreamy pre-teen moi. Photo courtesy of my mother’s attic 🙂

Is wist a word? The OED says not, but I would argue for its inclusion. As an early teen, I was the walking definition of wistful, meaning, quite literally full of wist. Let’s consider possible synonyms … Was I instead melancholy? Nope, the feeling was less gut-gripping than that, yet stronger than longing. Reflective? No way. That suggests an intellectual hankering, which believe me, was years away. But I leaned hard into the wistful in those unsettled days. I was absolutely captive to if not wist, then wistful-ness? So clunky, that word. Plus the emphasis is wrong, less the wist, more the ness.

Shall we delve into a few of my favorite musical selections of the era? There was Carole King’s “Too Late Baby,” and Jimmy Buffet’s “Havana Daydreaming,” and for sure James Taylor’s “Fire and Rain.” Wist, wist, wist … And let’s not forget “Smoke Gets in Your Eyes,” a remake by the Platters that was an oldie even in my day. I adored it ne’ertheless. I distinctly remember, after a date that went poorly, meandering up my darkened hallway to my father’s study to spin it on the family turntable. Certain I would never date again, I slumped to the window and stared out at our front lawn, moonlight in the weeds. I may have actually shed a tear, so wrapped up was I in my manufactured teenaged angst.

Yet these numbers pale one and all beside the song that gave perfect voice to what was bottled up inside me, a little ballad by the soon-to-be forgotten group, Looking Glass—

Brandy, you’re a fine girl, what a good wife you would be, but my life, my lover, my lady, is the sea …

Is it regret I hear in these lines? Does regret equal wist? No, not really. At least regret is not precisely what “Brandy” evoked for me. It certainly wasn’t sorrow—what did I know of sorrow at age fourteen? But each time my radio played that quick guitar twang, then the riff on the keys followed by “doo doo ‘n doo doo,” my belly quivered and my heart swelled. I would crank up the volume and sing along with great gusto. And no verse bewitched me more than the last: At night, when the bars close down, Brandy walks through a silent town, and loves a man who’s not around …

Oh, the heartache! The delicious pain! This woman, this lovely barmaid, strong and independent yet imprisoned by love for a sailor she could never have. Even now I can feel it, the … the … the wist, for heaven’s sake! One refrain and I’m a skinny girl with long stringy hair who longed for curves ample enough to attract the one swaggering boy everyone yearned to make out with. Yep, there I stand in the dark corners of a fellow middle schooler’s smoky rec room while my friends, maybe a few enemies, roll around on the couch or slow-dance to “Stairway to Heaven.” I lean against the wall, less flower than sprout, and shut my eyes so that I might better conjure, and draw strength from, my precious Brandy—footsore, coins in the pocket of her apron—as she lays that whiskey down. Looped around her neck of course is a braided chain made of finest silver from the north of Spain. And it bears the name of the man Brandy loves! A man (her sailor!) who brought gifts from far away but made it clear he couldn’t stay.

How silly I was, a silly girl looking for love in all the wrong places. Unless maybe, just maybe, what I really hungered for wasn’t puppy love, or even romance. Maybe I couldn’t get enough of “Brandy” because of its poetry–a stretch, sure, but with apologies to any real poets out there, bear with me. Pop tune it may be, but the lyrics and the melody blend perfectly to create a certain mood (right?). A mood, I believe, that reflects and heightens the emotion its songwriters sought to convey. At the very least there’s this: Perhaps in those confounding years of my youth, I longed–without realizing it, mind you–for a sort of experience that was as yet out of my reach. As she pulled beers and served those sailors as they talked about their homes, Brandy took me with her, to that faraway fishing village by the sea where a spunky young woman could make it on her own (albeit without love). The lyrics, the harmonies that bolster them, rustled up in me not only the wobbly ache of the teenaged crush, but the exhilaration of finding oneself in an unfamiliar place or situation, the joy touched with loneliness that solitary travel, for example, can trigger, and that several years on, I would come to know myself, and to treasure.

Looking Glass, the rockers whose one-hit wonder tattooed my teenaged heart.

So maybe my pre-pubescent self, my mind (my soul?), stood in awe of the power of the artist, the power to make words and rhythms work so effectively in tandem that they forge emotion out of air. Magical thinking? Could be, but to believe it, that at some level even then I hoped to imprint others with words the way Looking Glass imprinted me, gives me great solace.

“Brandy,” to conclude, has staying power. When a band cranked her up during a wedding reception I attended recently, I embarrassed myself by jumping and spinning (partner-less), circling my arms overhead and shouting every last syllable at full volume. The crowd of mostly twenty-somethings around me danced and sang along, too, if with slightly less passion.

All wist and wistfulness aside, “Brandy” continues to transport me, as all good art should. A couple of her introductory notes sound through my Pandora app, and I’m right back on that western bay, where I can feel the ocean fall and rise, and see its raging glory.

Note: This post grew out of a writing prompt my friend and fellow writer, Mai Al-Nakib, shared with our beloved writing group in June (thanks Mai!):

“Think of a song that meant something to you as a teen … Why did it mean so much? Does it still? Explore it in writing… “

If you have a second, drop in a comment below about a song you once loved that can still bring a little lump in the throat. I’d love to hear from you! And be sure to check out Mai’s latest book, An Unlasting Home, a gorgeous and expertly researched multi-generational novel: https://www.barnesandnoble.com/w/an-unlasting-home-mai-al-nakib/1139827261

Home at Last

Published on by Martha Mattingly Payne6 Comments
Like her father, once Mary earned the right to vote, she never missed the chance. Here she fills out her absentee ballot in October of 2018 for Georgia’s gubernatorial election.

Some of you met Mary Darian in “I Am Mae Mobley,” one of my early posts here in My Mother’s Attic. In part an outcry against an upsurge in race-related killings during the summer of 2016, that piece is at heart a tribute to Mary–the woman who helped my mother rise to the Herculean task of raising six children. Since I launched this blog, Mae Mobley continues to garner far more views than any other Attic post–testimony to Mary’s captivating character. In that earlier piece, I lamented that during the two decades Mary worked for our family, I failed to learn much about her life. I vowed then to make amends for this, to reach out to Mary, though I was more than a little nervous about cold-calling after so many years of silence. I might have known that was a waste of emotional energy. In the years that followed, in spite of facing one personal challenge after another, Mary shared detail after detail about her story, and more broadly, her family’s story, which to her were one and the same.

One morning not too long before the pandemic hit, I went to see Mary at the nursing home where she’d recently moved. Her room was small but comfortable–a sink and closet against one wall, a twin bed at the center, a broad window at the far side, the ledge below crowded with photos of her grand- and great-grandchildren. Mary’s devoted daughter, Lou, had a bird-feeder installed just outside the window so Mary could enjoy sparrows and robins and fiery red cardinals as they flitted about. By this point in her life, Mary was confined to a wheel chair, though I was soon to learn that in her case, confined did not apply.

I breezed through the door a little earlier than usual to find no Mary in sight. I heard a scuffle on the far side of the room and stepped closer. She had wheeled herself into the narrow space between bed and radiator and crouched low over her knees, her head nearly hidden between the bed and bedside table.

“Mary?” I asked, trying to control the worry in my voice. “Can I help?”

“Oh!” she said, her voice bright with enthusiasm as she looked up. “Angel Face!” (the pet name she coined for me as a baby). “Come on over here!”

I did just that. Mary craned about and reached her long arms around my neck. That’s when something shiny flashed in her lap–a long, thin metallic tool.

Celebrating Easter. April 2022

“Just give me a minute …” she said, ducking head under table again. “While I find my Puh …”

“Here, can I get it for you?” I asked, though I wasn’t sure what I was looking for. Her paper? Her pillow? I tried to maneuver between wheelchair and radiator but the space was tight, the bedside table happily cluttered–a card illustrated in blue crayon, a tub of Vaseline, a small glass vase filled with Alstroemeria, a stack of word puzzle books and a red leather Bible, its pages well-thumbed.

“What is it you need, Mary?”

No answer, just more poking at that shelf.

“Ah, here it is!” she cried at last. Turning, she sat up straight, her expression devilish and triumphant. “My Ponds!”

She held out the stick, which I then could see had a grip handle at one end and a sort of claw at the other, not unlike the mechanism in that arcade game in Toy Story (The claw is our master … ). Caught firmly in Mary’s claw was a jar of Ponds cold cream, same pale green cap and tulip logo as the ones my mother used to keep on her vanity table.

With easy dexterity, Mary twisted open the jar, scooped out a finger full, and chatting all the while, began massaging the silky cream into her still-smooth complexion. Her task complete, I offered to return the jar to its shelf. She laughed, waved me away, and did it herself, metal claw re-extended. Then she nabbed her hairbrush from the drawer, dropped it in her lap, and wheeled over to the sink. One of her feet–slightly swollen–nearly collided with the corner of the bed frame as she went.

“Mary, your leg–is it ok?”

“Oh that …” she mumbled as she set the hairbrush at the edge of the sink. “Some kind of blood clot in that old leg.” Then she plucked a cloth from a towel rod, wet it generously, and ran it across her short thick curls before brushing them out.

“Ok, now …” she went on, patting her head and smiling at my reflection in the mirror. “That’s better. I never know what it’ll look like in the mornings.” Then guttural laughter as she spun her chair around to face me. “Now tell me … What have you been up to?”

I gathered my thoughts, but before I got a word out, her eyes flew open wide and she cried, “Wait a minute! … I forgot my teeth!”

With that, and without a wrinkle of embarrassment, Mary spun back around, tugged a set of dentures out of a cup and slathered them with toothpaste. While she gave them a sturdy brushing under the faucet, I marveled at the independence, the lack of self-consciousness, and the serene acceptance of the time-consuming rituals of growing old that she possessed.

“Your mama liked Ponds, too,” she mused. “You know …” She paused and turned to me, that devilish smile restored. “She may have been the one who got me started with it!”

Whether this was true or its inverse–that Mary actually introduced my mother to Ponds–didn’t matter. This was a habit they shared, one I hadn’t known about, and something soft padded into my heart. Not a visit passed between us that Mary didn’t turn our conversations back to my parents, or one of my siblings–to those days she was part of the everyday workings of our busy household. She loved especially to wax on about my mother’s expertise as a seamstress, but then she’d been doing this since my summer camp days. Your mother made a white jacket for her new formal gown with shells around the midriff … she penned in a letter she sent off to Camp Merrie-Woode. Wow! When the lady moves, she gets momentum and never stops … Then, one of her witty after thoughts–I think she’s going to wear her sexy red sandals.

Back then, ten years old and homesick, I likely cried to read this, but it was a good cry. Mary was enfolding me from a distance into the home life I loved. I understand now that during our recent visits, she was doing much the same. Her smiles, her laughter, her stories, were keeping my mother, my father, in short, my childhood alive. She did me as much good–no, probably more–than I did her.

Mary’s father, Jimmie Lee Cochran, as a young man.

Though she lost her mother very young, Mary was eager to share her father’s story, too. In the 1920s, when he was hardly more than a child, Jimmie Lee Cochran worked the cotton fields of Hurtsboro, Alabama, where he lived on a farm with his mother and grandmother. In 1939, when Mary was four, Jimmie Lee came within an inch of being lynched. After a narrow escape, he managed to slip away to Atlanta, where he built a long career with Southern Railway. More importantly, a decade later Mary’s father brought her and her younger siblings to the home he’d built–literally built with his own hands–for his family. The twists and turns of Jimmie Lee Cochran’s story, and Mary’s alongside, paint a shimmering picture of courage, devotion to family, and perseverance. It’s a story that could fill a book. Maybe someday it will.

Born in 1935 in Hurtsboro, Mary Cochran Darian moved on from this world on April 18th, 2023. She worked those Alabama cotton fields herself before graduating from Atlanta’s Booker T. Washington High. She married her sweetheart, Lewis Darian, and after twenty years with our family moved on to an administrative career at Crawford Long Hospital. Through it all, Mary took care of people–her four children, her physically disabled brother, her neighbors and grandchildren, her church family (to them she was “Mother Darian”) and me and … well, the list goes on. Her family held a “Homegoing Celebration” last week at her beloved church. The service left room for sorrow but had joyful music aplenty and tributes full of love and hope meant to speed Mary along on her journey to the place she firmly believed was her true home. I think everyone who spoke of Mary mentioned that infectious smile that so warmed me during our visits in her last years. I’ve mentioned the knack Mary had for helping me laugh away my little girl challenges and preteen angst. Her ability to smile and laugh herself through the many trials of aging was to me more remarkable. My mother had her strengths, but facing old age with grace was not one of them. She raged against the dying of the light, and though there’s something to be said for that, the way Mary kept her spirits high in spite of the slings and arrows fortune tossed her way not only eased her days, it lightened the hearts of those who cared for her.

The pastor who gave Mary’s eulogy asserted that her smile set an important example. If you love God, he suggested, the least you can do is smile for the world to see. Mary’s resting face was a smile, a natural one, broad and vibrant in a way that said, Watch out because here comes a laugh, a big one straight from the belly! The photo below offers proof. I can hear my brothers and my father laughing with Mary even now.

Mary returns for a much-anticipated visit with my family, sometime in the 1980s.

The cover of Mary’s Homegoing tribute booklet features a couple of her favorite phrases. “I expect a miracle every day,” reads one of them. For those who consider miracles to be only raising the dead or turning water into wine, this may sound like hyperbole. Like the wisest among us, Mary knew that the simplest things could be miracles: The touch of her first great-great grandchild settling into her lap; the familiar taste of the meals Lou prepared at home and brought to her room; the right to vote safely and the freedom to shop where she pleased and sit at the front of the bus (freedoms she had to wait until age thirty to enjoy); the weekly Bingo games (she won a lot) with other residents in the nursing home common room; a skittish bluebird in the morning sun, darting close for a nibble from her feeder before the pushier birds moved in.

Miracles every one, just as Mary was to all who knew her. She is home now, flights of angels singing her to her rest.

Mary with her daughter, Lou Darian Qualls, on Mother’s Day, 2022

Lady Nona

Published on by Martha Mattingly Payne4 Comments

Happy New Year! What a year it’s been. Like everyone else, I welcome 2021 and the hope and possibility it brings (yesterday’s horrific events in DC notwithstanding).

It’s been a while since I dipped in here to post, and I believe the last time I did I declared my intention to abandon my Attic blog altogether. Well, here I am again, but for something a little different. Today I share a short story, one I’d about given up on seeing published until The Dead Mule School of Southern Literature kindly included it in their January, 2021, issue. I’m grateful to the Mule. It’s a wonderful issue, by the way, in a lovely journal. You can check it out here: https://deadmule.com/

The setting of “Nona’s Gift”–a college town on a football Saturday–springs from my memories of UNC-Chapel Hill in the early 1980s. My late mother with her snobbish tendencies and ladylike grit inspired the character of Nona herself. It seems only right, then, that this story have a place in “My Mother’s Attic.”

Hope you enjoy!

Martha Payne: Fiction: January 2021

 PUBLISHED DATE:2021-01-01

Nona’s Gift

Nona reaches for the red beret hanging on the coat tree by her front door, and misses. Despite the ache in her joints, she rocks forward on the balls of her spectator pumps and gives it another whirl. The beret slips successfully off its hook. It’s a good Irish wool, soft. It warms her ancient fingers. Nona grips the beret gratefully as she gathers up her purse and walking stick, locks her door and totters up the carpeted hall of what her daughter calls “the home,” though it’s anything but. 

The elevator, thank Jesus, Mary and Joseph, is empty. Nona steps in, takes a sniff. Urine. She rolls her eyes. She’s had it with old people and their sloppy hygiene. Ground floor. Nona braces for the painful jolt as the elevator hits bottom. Then she settles the beret on her silvery head, checks the mirror on the back wall, and adjusts so as to center the beret’s rhinestone brooch above her left brow, the way she likes it. 

Outside, all is crisp and blue and breezy, perfect weather for the tailgaters who will soon be making merry at the stadium parking lot. To think of their Solo cups and onion dip makes Nona thirsty. She picks up a little speed, hoping to outfox the light at the corner of Magnolia and Main. It flashes yellow before she’s halfway there and she slows again. Not to worry. If they’ve run through the single malt by the time she arrives, Nona feels sure young Stuart will find her a decent glass of Dry Sack. She squints against the Carolina sun and steps to the curb. A crowd gathers behind her. To her left, a horn shrieks. Breathless, she clutches her purse against her bosom. Through a cloud of exhaust she watches a jeep sweep around the corner, its body splashed with paw-prints. Lengths of red and white crepe paper whip from its roll bars, and three—no four—barelegged girls balance on the running boards. Swaying left, then right, they shake pompons and cowbells and shout—GoCats! Numberwan! 

Her small feet splayed for good balance, Nona clucks her tongue and shakes her head. Then a thought, a terrible thought as young bodies jostle past, bumping her hips, her bony shoulders. Her heart aflutter, she opens her purse. All darkness. With trembling hand she fumbles past her wallet, a dusty lipstick tube, a blue lozenge and several loose aspirins and ah! There it is, beneath the glare of her compact. She hasn’t forgotten: Stuart’s gift, a box the size of a baseball wrapped in gold and tied with matching elastic ribbon. Nona touches a bent finger to the cool paper, lets go a sigh, snaps the purse shut. 

From a few blocks away comes drumbeat and blast of trumpet. Nona trains her eye on the signal across the intersection. It shines green. Shouts, chatter, the thump of a heart, her own. She wavers, her softly furrowed cheeks coloring beneath twin smears of crème rouge, then rights herself and steps off the curb, swollen knees and narrow hips cooperating with a grace she’d thought long gone. The electronic hand ahead flashes three times then becomes the number nine. Nona lowers her gaze and moves along, her cane ticking off with each measured step the manic neon countdown—six, five, four … 

“It most certainly is not a cane … ” Nona mumbles to the image of her daughter’s face that rises in her mind, stern and round as the moon. “A proper walking stick this is, been in the family since … ” She wets her lips and raises her voice, but Nona forgets exactly who it was, which of her grandfathers, or great-grandfathers, whittled the stick, carving it out of mountain laurel sanded soft as mink. “Well, I don’t care who whittled the thing. It’s positively not a cane, as anyone with half a lick of sense can see …” 

At the opposite curb, Nona pauses beneath the signal light, fingers the khaki piping at the collar of her peach-hued St. John’s knit, and eases up one foot, then the other. Her pale crooked fingers bear down on the walking stick’s handle and she just manages to scale the curb. Nona resents the stick’s handle, an ugly rubber affair Melinda’s husband attached, poorly, the day they moved her out of the house (an English Tudor on an acre lot) that she and Mr. Snyder saved twenty years to build. “Part of the deal, Mother,” Melinda announced while the glue dried, big bulbous globs of it that overflowed the handle’s edge, spoiling the walking stick’s lines altogether. “We retrofit that handle for safety, Missy, or you stay put.”

The sidewalk is moving! Nona plants her pumps at hip width. Then she sees—or hears—that it’s only music, rock music playing so loudly through the open windows of the columned house on the corner it vibrates deep into the earth and back up again. A plastic disc sails past Nona’s shoulder, then ziiiiing-pop! Something flies out a window and splats against the ancient oak tree to her right. A boozy mist falls over Nona’s face, mingles, glittery, with her finishing powder. 

 “Sorry, Granny!” screams a youthful voice through a window. Then, a chorus of deep-throated laughter. 

Pabst, Nona sneers, licking her lips and feeling all the more proud her grandson chose to pledge at the fraternity down the block, where for Game Day Brunch, the brothers serve sausage-cheese casseroles with pecan pinwheels and drink the way they did in her day. Bloody Mary’s, mimosas when it’s hot, whiskey straight up. They stock beer for those who must have it, mostly the climbers from the eastern counties, but serve it discreetly from a cooler on the stoop near the service entrance. 

It’s the front door for Nona, a tasteful Colonial with a modest transom. Once she’s scaled the porch steps, she raps the door with the rubber pad of her walking stick. Inside, a television blares: “Wear Nike and sweat like you mean it!” Nona knocks again, harder. Nothing. She shuffles back a step, then another, and lifts her walking stick high, aiming for the doorbell. Her shoulder creaks and her wrist downright wobbles with pain but ding-dong! She’s done it. She can just hear the chime above the din. 

A young coed—slender, doe-eyed, blonde—swings open the door. Her skirt is too short, her top too skimpy. 

“I’ve brought something for Stuart,” Nona declares. 

“Stuart?”

Nona gazes at the blonde through rheumy eyes. “Yes. Stuart Bridges, a third year. Come January he starts his term as president. Elected by unanimous vote. Today is his birthday.” 

“Who is it, Tink?” A voice from inside—Tink? What kind of a name is that? The voice is not Stuart’s, but Nona recognizes it. 

“Uh, um, a Missus … ?” The blonde gives Nona a look she doesn’t like. Pity-full. Who needs it. 

“Tell him it’s Mrs. Snyder,” she says, raising her voice, along with her chin, up and over the relentless music. The bass notes tremble, not unpleasantly, up her legs and spine.  

“A Mrs. Snyder!” calls Tink. She smacks something, gum maybe, or cud, and her eyes crinkle up in a smile. “Looking for someone named Stuart? Says he’s her, uh …” With a cheeky wink, the blonde leans close and whispers. “Grandson?” 

Nona nods, sniffs. Dime store perfume. “Stuart Snyder Bridges,” she declares, nose upturned. “After my late father-in-law, Stuart Jefferson Snyder.”

“Her grandson!” calls the blonde, smacking harder. “Stuart? Says he’s a junior?” 

“Thanks Tinkerbell!” A broad-shouldered young man with glossy hair slides a hand around the blonde’s hip and moves her gently aside. “I’ll take it from here.” 

The blonde smiles, gives a final triumphant smack, and trots away, ponytail bouncing. 

“Hi there, Mrs. Snyder. Glad to see you sporting our team colors today.” With a winning smile, the young man gestures at Nona’s beret with firm fingers that brush the brim ever so slightly. Nona grins, hesitant but proud. 

“Stuart had to run out …” the young man goes on. “Uh, for more mixers.” 

Her face pinched, Nona studies his eyes, his jaw line. She tilts so close she can feel the silky hairs along his forearm. 

“Now John, why didn’t you say that was you?” she says. Flushing with pleasure, she lowers her head and starts across the threshold while John, whose name is Cliff, steps aside to let her pass.

“I’m sorry, Mrs. Snyder. We weren’t expecting you so early. I think you’ve been walking faster this season.”

“You think nothing of the sort,” says Nona with a smirk. Walking stick tapping, she makes her way to the living room and sits on the ragged couch. It smells of dog.

“Single malt, neat?” shouts John who is Cliff.

“Splash of soda today. Thank you, son.” 

Her purse in her lap, Nona rifles through its fusty depths. She pulls out Stuart’s gift and cups it between her hands. Patient, she watches huge players moving across the huge gridiron on the huge television across the room until John who is Cliff appears again, a sweating lowball in one hand.

“I see you remembered Stuart’s birthday,” says Cliff with a wink. White cardboard peeks through at the corners of the box where the wrapping paper, which once had a sheen to it, has worn smooth and begun to split.

“Why yes I did,” Nona says, and for a moment all her aches and worries soften. “Thank you, John,” she says, and extends her hand. 

“Yes ma’am,” says John who is Cliff. He grasps her fingers, hands her the lowball and leaves. A deep gulp, and Nona settles in to wait. 

In his townhouse seven miles away, Stuart Snyder Bridges, a thirty year-old accountant with a March birthday, pulls his cell phone from his pocket. 

“Hello, Mr. Bridges. So sorry to bother you …” 

It’s a voice Stuart knows well. A brother, Cliff, if memory serves, though they sound younger every time. “I’ll be right over,” he says. 

In the frat house living room, Stuart’s grandmother drains her scotch. 

“Would you like another, Mrs. Snyder?” Different voice, different young man, one Nona feels less sure about.

“Don’t mind if I do, dear,” she says nevertheless. “I’m sure Stuart will be here soon.”

“Yes, ma’am, he’s headed back now.” 

“Oh, my. Thank you, son.” 

Panicked, Nona searches for her purse, which someone has set on the floor. Her foot bumps the patent leather bulk of it. As she reaches down, the hard edge of the gift box presses into her belly. 

There it is, Stuart’s gift. She hasn’t forgotten. 

Nona relaxes into the soft odorous sofa cushions. Beneath her fingers, the box in its gold paper feels cool and expensive. She can hardly wait for Stuart to see it.

Centennial

Published on by Martha Mattingly Payne12 Comments

All week, I’ve been noodling over a proper way to honor my mother on this March 21, 2019, the day she would have turned 100. I hate to repeat myself, or post photos I’ve likely used before, just because for my family this is a noteworthy day. But it does seem significant, the centennial. When early this morning, before my second cup, my daughter launched a group family text from New York, I thought, hmmm, she nailed it, and with little more than a string of emojis. Who needs words? Emma gives a crisp and warm tribute to “Joe,” the grandmother she respected and adored. 

IMG_1945

Then again … for those who still love words the way Joe did, perhaps a brief concordance is in order: Not exactly an angel in life, my mother, a devout Roman Catholic, certainly wears the loveliest of halos now, in one form or another. A woman worthy of swirling hearts? Absolutely. A charmer who loved to dance to the likes of Glenn Miller, she had her share of romances and enjoyed them every one, but once she settled down (at 22 no less), she was a loyal and caring partner to my father for 63 years. A superstar? Yes, Joe was, if a quiet one, as the characters that follow the star aptly suggest. Flowers … give her an old cut glass vase and she could bring out the best in simple back yard blooms. And, ah the little blue dress. Had she lived in another time or birthed fewer children (i.e. me), my mother had a shot at being the next Dior. Her sewing machine was her creative outlet and her family’s delight, as my sister and I and Emma herself can attest. At 81, Mom created for her a flower girl dress to wear in my nephew’s wedding that was elegant and sweet, just the thing for a six-year-old .

image
My mother at nineteen, duly admired by some of her beaus.

Next a crown … Was Mom the Princess to my father’s Prince? Indeed she was, bejeweled and beloved. And of course she became an old woman, a grandmother. If not doting, she was affectionate, full of pride and love for her twenty-five grandchildren and great-grandchildren. Still, my mother did not go gentle into that good night. I honestly don’t think she ever thought of herself as elderly, and though her stubborn resistance to things like wheelchairs and retirement homes brought her unnecessary heartache and her family endless frustration, maybe her stolid resistance to accepting the concessions of age was what kept her young-ish for so long.  

A wearer of Easter hats, and yes, addicted to black coffee. A better piano player than she gave herself credit for, she was an admirable consumer of wine if not a connoisseur and a great fan of gifts, both received and given (accompanied by makeshift cards, always signed with love). Shopping! Boy did she love a good bargain, but the coup de gras of my daughter’s emoji-esque tribute? It has to be the stack of pancakes. A half-hearted cook otherwise, my mother made a damn good pancake, so light and fluffy we generally ate a few more than was advisable. Well into her nineties, she continued to host her in-town family for Saturday morning breakfast. Even on days she burned the bacon and stirred cornmeal into the batter when she meant to use flour, we wolfed it all down.

 

 

 

Attic reading

A couple of emojis I might add to my daughter’s thread … the jet plane, and the stack of books. A wannabe travel agent and a devotee of museums, ancient cathedrals, lush English gardens and French chateaux alike, my mother taught me that travel is the best learning tool we have, with reading a close second. She devoured books, and collected everything from Henry Kissinger’s memoirs to Virginia Woolf’s novels. For that legacy, with apologies to Marie Kondo, I am most grateful. 

My Stats page tells me this is my thirtieth post in the Attic, thirty in about four years, though apparently I’ve shared nothing since last March. Maybe that’s a sign. Maybe it’s time to wrap it up. Lord knows (and as this post surely proves) I have repeated myself, circled around the same themes often enough. I won’t archive the site just yet, but I’m at work on a few other projects now. With luck, I’ll be able to share these one way or another before too long.

Those handy Stats also tell me upwards to six thousand folks have been kind enough to visit the Attic over its lifetime. They–you–have given my posts over ten thousand views. Thank you. Thank you for stopping by. Thank you for sharing the strangeness and laughter and joy and sorrow that come in the wake of losing a parent, no matter how old or young.

Happy 100th, Mom, our one and only.

 

 

 

My grandmother, pictured with my grandfather and my mother at about a year old.
Emma and her Joe
My parents and I, Fernandina Beach, Florida, circa 1966
Birthday girl, plus a few grands and great-grands
Joe wearing one of her homespun dresses

 

Not Your Mother’s Oldsmobile

Published on by Martha Mattingly Payne4 Comments

IMG_0362
Eyewitnesses to the crime

Exhibit A: Me—twelve, Mom—fifty-four, family pooch—we’ll call it six. Her name, the dog, was Butchie, largely because the Mattingly dogs who preceded her, all male, were called Butch—Butch the first, Butch the second … George Foreman style, and if the tradition can be feminized, why not? The car (or perhaps victim?)—a convertible Cutlass, circa 1970. It belonged to my brother George (imagine that, Mr. Foreman), mid-twenties at the time and two years married to his lovely wife, Connie. Wait, it’s possible Connie brought the Cutlass in question to the marriage, a sort of dowry-like perk. Memory fails, but let’s go with that. It makes a better story, and for sure, I’ll never forget the happy couple’s gnashing of teeth after the incident that left their racy little Olds bashed at the hip …

Late spring or early summer, from the looks of my outfit, sunset of my seventh grade year, and apparently I’d set my sights on the Twiggy award (all arms, legs, and stringy hair). Late afternoon, as I recall, and I’m hanging out in our family den, a bag of potato chips and onion dip close at hand, maybe huddled over a pre-Algebra problem, maybe watching a “Brady Bunch” re-run, most likely fresh off the (rotary) phone from lamenting to a similarly pre-pubescent friend that my crush-of-the-month only had eyes for Laura or Cynthia or one of three other classmates more Bridgette Bardot-like, even at twelve, than Twiggy.

Suddenly, a high-pitched scream outside, at first faint then gaining volume like an oncoming train. I drop pencil and Lays and bolt out the back door, Butchie at my heels, to driveway’s edge. Our driveway (see Exhibit B below), ran about forty yards straight down at a precipitous angle from the street to our house in a hole, as I used to call it, a hole created in some long ago millennium by the babbling creek that flowed five to ten yards, give or take, to the right of said driveway. Just below driveway’s crest, a pile of mail in her arms and pocketbook swinging at her elbow, my mother chases as if to rein in with magical maternal powers her lemon yellow Electra, a popular boat-like Buick of the day. The Buick rolls merrily along, self-driven, ten feet ahead of her. I grab Butchie’s collar and freeze. The car seems more runaway cartoon buggy than dangerous projectile, and I sense in my mother’s screams more panicked embarrassment than fear. Sure enough, the hulking Buick all but eases over the wide drain at driveway’s base, where rainwater sluices away on a stormy day. Rather than careen toward the pup and me, she veers right, groaning, and comes to a cacophonous yet somehow graceful stop, her fall, so to speak, broken by the unlucky Cutlass situated in the handy parking slot my father cleared years before above the picturesque creek.

1254_1068097746778_2572_n
The Electra’s treacherous path (note double parking slot to the right)

“Two cars! Two cars!” my mother hollers, spectator pumps slapping gravel and knees knocking beneath the hem of her skirt. Two car crash, she means, and the fact that she, whose exercise regimen features climbing steps and roaming the mall, has survived this descent without serious injury is perhaps most astounding of all. Her arms are empty now, spilled purse and mail littered across the drive, and she flails those arms overhead like a mad wing walker flashing his orange baton on a tarmac. I think I smile a little even then, because honestly, though this will be an expensive mistake, one that might have been tragic, it really is funny.

Moments before, the Electra’s trunk stuffed with grocery bags, Mom pulled over the raised lip that joined driveway to street and stopped, as she’d done countless times before, to fetch the mail. She mashed the emergency brake with her quad A, size 6, foot, opened the door, stepped out to the mailbox, and, ooh la la, there she went, Old Electra, smelling the barn and waiting for neither man nor dreamy woman. The gear shift, my mother surely thought. Did I put it in Park? She did not, and thus did the yellow workhorse begin her joyride home, happily slowed by that emergency brake. How was she to know my brother’s muscle car had claimed her favorite stall?

I wish whoever snapped this Kodak moment had included old Electra, whose escapade left her with quite a shiner (think of the Instagram likes Mom might have earned!), but otherwise, I love the old crash photo, grainy and blued as it is. I love the dense foliage in the background that was the leafy oak that used to shade my friends and me in the creek below as we hopped from rock to boulder, building dams and creating imaginary villages. I love the tall tree trunk to the right, one of so, so many towering pines in our Georgia yard. I love having a pic of Butchie, RIP ole girl, with her graying beard, and mostly, I love the amused look on my mother’s face, the hint of guilty delight that says she owns this crazy humiliating moment, much the way she owned others during her long wacky years of rearing six children.

It’s funny, I don’t remember much anger associated with the Cutlass caper—check that, George was pretty stoked, but who could blame him? I associate with it instead one of my father’s exasperated shrugs and the eye roll that often followed. Needless to say, our family weathered troubles much more serious over the years than a two-car crash (though how it must have stumped our insurance agent–who/what was at fault?). We weathered times that in the moment weren’t funny at all, but somehow, most of our dysfunctional moments did, in the retelling at least, dissolve into laughter.

It was all about sense of humor, and the fact that my mother and father managed to keep theirs, through better and much worse and even as they aged and life grew close and dark. That legacy is something I thank them for, every day.

Namaste, Bro

Published on by Martha Mattingly Payne3 Comments

IMG_5718
Ed and I and apparently, an early edition Twizzler, Summer 1967
Somehow, we’ve been slung around the sun yet again and here it is, May 3rd. Earlier this week, I decided NOT to write about my big brother Ed, who died on an Atlanta May 3rd very like this one–bright, breezy, warm but still spring fresh, the air just a touch heavier, loamier than a week ago, way back in April. I mean, enough already! I’ve written about Ed before. The Attic faithful know all about his misadventures as a Marine in Vietnam, his “punny” way with words, his painful yet contemplative death (see Brother, Brother in the side bar!). What’s more, my MacBook is in hospital (wine spill and the drunken slash symbol now dances mercilessly across the screen), and writing (never mind, creating) on this effing PC borrowed from my husband’s office is proving the adage that you can’t teach an old hack new tricks. (How the heck do I UNDO an action? Moments ago, I hit something in the vicinity of the “numlk” key and deleted this entire post and had to start over. And don’t get me started on the backwards scroll bar …)

 So I reckoned I’d bow out of this one, skip the ten-year mark in this age when no one with a shred of social media self-respect would miss the chance to celebrate an anniversary so post-worthy. I stayed strong through my second cup, especially after my initial efforts to navigate Google Chrome on this blasted machine left me in knots. I took a good Ujjayi breath and headed off to Wednesday yoga in search of some balance. A few Warriors, a couple twisting Chair poses, way too many Vinyasas, and it happened. As the class contorted with a collective grunt into pigeon (pidgen?), the music (which I’d hardly noticed before, as any good yogi wouldn’t) transitioned to a breathy version of “A Whiter Shade of Pale.” I jerked up my head, made awkward eye contact with my neighbor, snuggled back over my Gumby hip. A chart-topper for years in the UK and Europe, the 1967 Procul Harum original made it only to number five in the States. You don’t hear it much these days, but it was Ed’s Numero Uno. He played it as vinyl, eight track, cassette and CD. He sang it A Capella (and out of tune) ALL THE TIME.

Maybe it was magical thinking, maybe a fleeting moment of Nirvana, but of a sudden, Ed was right there on the mat beside me, slinking his long limbs into their own Twister trick (a game he excelled at, as he did most games). I closed my eyes and smiled, relaxed into the lyrics as they came in his deep playful voice–We skipped the light fandango, turned cartwheels cross the floor …

How could I take this as anything less than a cosmic nudge? Just like that, I determined to come home to do what I’d vowed not to, write about Ed (though for me, in brief, wouldn’t you say?). I don’t know, maybe big brother wants (certainly deserves) at least a nod on this day when so many across the country are thinking of him, missing him, laughing to themselves to remember his jokes and his ironic grin. There’s his widow and daughter and grandchildren in Oregon, our brother in San Francisco and sister in Pennsylvania, his many loving in-laws in New Orleans, his nieces and nephews and friends all over, and of course, those of us still in the city he loved–two more brothers, a son, the youngest daughter and their families and of course, moi, the kid sister (whose children adored their Crazy Uncle Ed). 

This morning, many of us shared the usual email thread, a few photos, to reminisce. And just now, my niece reminded me that ten years ago, as we let fly Ed’s ashes over the chilly mountain waterfall where as children we used to swim and dive and scare our mother’s hair straight, Procul Harem played on a boom box balanced on a strong and solid Carolina rock.  

Which leads me to believe maybe a few other folks heard Ed today, too, … as the ceiling fell away … and he wandered through his playing cards, calling out for more …

Ed and Emma
Ed, who had a way with kids and babies, holding my daughter, Emma, a few hours after her birth.

Mother, May I? A Wish List on the Occasion of the 98th Birthday

Published on by Martha Mattingly Payne4 Comments

Mom's 93rd
My mother turns 93, flanked by her favorite things: fresh flowers, a glass of Chard, a granddaughter, and, of course, her purse.
Continue reading “Mother, May I? A Wish List on the Occasion of the 98th Birthday” →

A Rose for Miss Louise

Published on by Martha Mattingly Payne10 Comments

fullsizerender-16
A few of the more colorful selections from my Aunt Louise’s hat collection

I was seventeen the first time I read “A Rose For Emily,” William Faulkner’s eerie tale of tribute to a spinster with attitude. I loved it. The story had just the right blend of macabre romance and Southern sensibility to appeal to my teenaged self, at once idealistic and sentimental. What’s more, I felt a whisper of warm recognition, even affection (despite the arsenic), for Emily Grierson and the “big squarish frame house” where she lived alone in early 20th century Mississippi. I knew that close musty air, the heavy walnut bed beneath rose-shaded lights, the Victorian trinkets and the lace doilies on coffee tables and upholstered chairs. In fact, I knew Emily. I once had a spinster of my own, my Aunt Louise, who walked with a cane and wore frumpy dresses, cameo brooches, pearls, and hats. Always a hat, and for Sunday Mass, a netted veil to cover her impish face. Above, see Louise as a young woman holding a pipe–surely just a play thing, a photographer’s harmless prop. 

Louise was my father’s aunt, my great aunt, though when I was very young that relationship failed to compute. She was just Weezer (pronounced Wee-za), sometimes “the Weez,” and I loved her the way my friends did the grandmothers they visited on Sundays, shared jello with at Morrison’s Cafeteria, or listened to on the phone with half an ear (Yes, Weez, I’ve done my homework and passed a healthy, ahem, stool today). Great Aunt maybe, but in effect, Weezer was my grandmother. My father’s mother died in 1918 of what’s sometimes called the “Spanish Flu” (though its origins have since been traced to Kansas), a victim of our nation’s first pandemic. My father was four years old. Weezer, thirty-something and single, stepped in to raise him and his brother.

A staunch Catholic, by the time I came along Weez lived three blocks from the cathedral and parochial elementary school I attended. On afternoons my mother was otherwise occupied, I would sling my book bag over my shoulder and walk those three blocks in my plaid dress and saddle oxfords. Weezer would greet me at her doorstep with a smile (not much of a hug on account of germs–pandemics will do that), ask me about my day, and dodder off to dish up a special Weezer-snack: Underwood Deviled Ham on Sunbeam bread.

beckandgregg
The Beck and Gregg catalog, 1941, priced for collectors now at $200. I like to think Weezer, a clever writer, had a hand in editing it.

You were expecting Tollhouse cookies? A slice of peach pie or at the very least, homemade fruitcake? Nope, Weezer wasn’t much of a cook. I’m not sure she even owned a mixing bowl. Born the third of four daughters in 1886 in Greensboro, Georgia, Louise Bourne Bickers was a working girl. I’m not sure how she ended up in Atlanta, but I know she and two of her three sisters did. For fifty plus years, Weezer worked downtown at the headquarters of Beck and Gregg Hardware. She was good at her job. Her obituary mentions that for a time she served as “Mr. Beck’s private secretary.” Early on, Weezer needed the money, the stability to weather the Depression with her adopted sons, but as I sift through some of the letters and memorabilia that migrated from her attic to my mother’s and on to mine, I have to wonder. Did something more keep Weez on board at Beck and Gregg? Could it be my great aunt kept taking dictation and typing up work orders even as her septuagenarian joints protested, because she, like Faulkner’s Emily, had a dangerous liaison?

fullsizerender-17
A holiday greeting from the man I knew only as “Mr. Strickland.”

“Dear Louise …” writes one Paul B. Strickland in shaky blue script. “Being a poor hand at selecting presents, it is hoped the enclosed will be acceptable as it carries my wish for you the merriest of Christmas greetings … It would be best if you would use it for something you desire for yourself. Very pleasing to me but use it as you wish and I will be happy. Sincerely, with love, Paul. December 25th, 1961.”

This is the one missive in which Paul addresses Weezer as Louise. Otherwise, it’s “Miss Bickers,” though tellingly, he signs off “Paul,” and “with love,” in each of the letters I’ve found. In 1962 he concludes “with a heart full of love to you.” Family letters as early as the 1930s mention Mr. Strickland. My uncle, planning a visit home from Ohio in September, 1953, writes: “Weez–Reckon Paul would let you off Monday afternoon?”

Paul, it seems, was the boss man. 

My father used to joke about catching Weezer and Mr. Strickland unawares when they were younger. Now and then, he came upon them sharing the living room couch. If Mr. Strickland had his arm around Weezer’s shoulders, he would do the quick head-scratch retraction, as if they were naughty teenagers. My older sister and brothers remember his Sunday visits in later years. Dressed in coat and tie, Mr. Strickland would sit and smile, always at a proper (social) distance from Weez, on a dusty glider on her front porch. But he said little. By this time, both had retired. Paul lived alone in the Georgian Terrace in midtown. Weezer had moved six miles north to her big squarish house. After seeing each other over their second cup every day for decades, they must have felt oceans apart.

Still they kept visiting, and after Weezer lost a second sister to the 1962 Air France crash at Orly, Mr. Strickland was right by her side, comforting her. Why did they never marry? Wherein lay the danger in this liaison? Was it simply against workplace etiquette? Maybe early on Weezer hesitated to inject a new father figure into what was already a dysfunctional situation for my father and uncle. Could be Mr Strickland was reticent about engaging in that dysfunction, though there’s no evidence of that. But later, ten, twenty, thirty years later? My mother’s theory, which no doubt trickled down from my father’s clan, was that Weezer was afraid of passing along the tuberculosis she contracted as a girl (germs, at it again), that even after being cured she vowed never to kiss a man. Hmm. My brother Tom posits that perhaps Mr. Strickland was, God forbid, a Protestant. Might Weezer’s fierce faith have led her to resist his advances, maybe even to lean on a certain germophobia to soften the blow while avoiding a “sinful” entanglement?

My mother’s attic, though teeming with rosaries and relics of the saints, has not provided a clear answer. Weezer was a prolific letter writer, or letter-typer, I should say. She tapped away with dry wit on Beck and Gregg letterhead, often annotating and always signing by hand. Two weeks before my parents’ 1941 wedding, she needles my father about expensive gifts and potential guests and updates him on a family controversy concerning their write-up for the paper. “When I get ready to announce my engagement …” she writes. “I’m going to write it myself, or get St. Peter to do it.” And handwritten on the reverse is this: “Will there be any question about the priest marrying you in Sara’s back yard? Better see!”

fullsizerender-14
Letter (misdated 1951 but sent in ’41) Weezer wrote to my father a few weeks before his wedding.

My mother was a Baptist. The logistics of getting them hitched by a proper priest in her small Florida town created many a sleepless night for my father’s kin. The idea of their marrying at all gave them apoplexy. In this day of destination weddings and bachelorette weekends and TV rose ceremonies, it’s easy to look back and laugh at their anxiety, but to Weezer and her family, marriage was more sacrament, less party. The traditions of the Church mattered to them. A lot.

And yet, in the end Weezer gave my parents her blessing. She bent the rules for the man she’d raised and loved like a son. Why not do as much for herself? And who even was this man my surrogate grandmother loved in secret? I ran a Google search. Nothing. On Ancestry.com I found a possible match for a Paul Strickland, born June of 1883, died August 15, 1970. Made sense. My clearest memories are of visiting “Mr. PBS” in a nursing home. Beyond that, no updates, no ancestry leaf-hints. Far from satisfied, I went to the downtown library and found (on microfiche) this Mr. Strickland’s obituary. It revealed that he’d resided in Atlanta, that seven years prior he’d retired as vice president from Beck and Gregg Hardware (bingo), and that he was survived, as Weezer would be two years later, only by nieces and nephews.

Then this: “Services for Paul B. Strickland, 87 … will be held at Concord Baptist Church at 3 pm.” Baptist. And retired at age 80–who works until 80? A man who prefers the company of a co-worker to his empty apartment.

Late in her spinsterhood, Faulkner’s Emily Grierson finds a sweetheart in Homer Barron, a Yankee foreman on a scalawag-inspired construction project. Some in town are hopeful Emily will marry at last. Others, namely her out-of-town kin, are scandalized by the idea of Emily taking up with a Yankee. Their outrage, stoked by Emily’s pride, leads to a haunting conclusion some see as a twisted sort of triumph for Emily. Faulkner later said this about his story: “I pitied [Emily], and this was my salute … to a woman you would hand a rose.”

fullsizerender-13
“Mr. PBS says they are Fine Children.”

I don’t pity my Aunt Louise. I admire her. She stood down a pandemic, bound together a splintered young family, supported her sisters and cared for aging parents. In a time when women didn’t much, she built a career for herself and found fulfillment in it. She lost two sisters far too young and outlived a third. And somewhere across town–who knows, maybe just where she wanted him–she had a partner through it all.

December, 1949: Weezer writes my father to thank him for sending along a Christmas card and a photo of my three oldest siblings. “There is a Santa Claus!” she begins, and goes on to describe the dialogue that transpired among her and her co-workers as she passed around the card:

“First Man: ‘Who are those children?’

Weezer: ‘My grandchildren.’

First Lady: ‘Whose children, All three so pretty?’

Weezer: ‘My grandchildren.'”

This routine continues with another “Lady” and three Men giving like responses before Weezer signs off, with love. Then, as if she just can’t hold it in, she types a P.S. for my dad: “Mr. PBS says they are Fine Children.”

I feel I know my great aunt Louise a little better now, Louise the woman, the survivor–feisty, hard-working, proud, and passionate in ways her faith and her scarred past caused her to hide.

A dozen roses to you, Weez. I bet you smoked that pipe with abandon.

Have Faith, Will Travel

Published on by Martha Mattingly Payne2 Comments

image
Who knows when you might need a good piece of hotel stationery? My mother’s collection dated to the seventies.
My mother spent her twenties and thirties (and thanks to me, her forties) changing diapers by day and going to PTA meetings by night. While my father went from WWII vet to laundromat owner and on to the life insurance business, she prettied up basement apartments and matchbox houses ’til they felt like home. But Dad thrived at Guardian Life, and by the time I reached double digits, Mom figured it was her turn, time to shake out her wings and fly, literally. Travel became her passion. I don’t mean quick jaunts to the Georgia coast or the Smoky Mountains, places my father, known to gaze upon a crashing waterfall for hours, loved. My mother didn’t mind an ocean breeze or the smell of woodsmoke now and then, but the older she got, the more she craved something a little higher brow–the French Quarter, Williamsburg, Gothic Cathedrals and castles on the Rhine, the Tuileries, and of course, Harrod’s and Le Bon Marché.

 

This slideshow requires JavaScript.

Who knew? The small town Florida girl, the markedly fertile eldest daughter of a Baptist dentist and his civic-minded wife (neither of whom ventured beyond the rolling hills of Virginia) pined for the Old World. In her fifties, my mother joined study groups led by Atlanta professors of history and literature and philosophy. She bought oversized maps and guidebooks (saved in the Attic, by the boxful). She thumbed through classics like A Moveable Feast and Dubliners at the public library. She concocted elaborate itineraries that she oft edited and revised, adding notes in red about what neighborhoods were frequented by which authors and which shoes to wear with what skirt to which restaurant. My father, hesitant but game, found the local Delta office and gathered birth certificates and with Passports and Travelers Checks in hand, my parents were off.

img_1907
My first trip to Paris, summer 1972. Since, I return often to find the little piece of my heart I left behind.
The only child still at home, I was invited along on some of these Grand Tours. Above, c’est moi at twelve, enjoying a baguette while cruising the Seine. It didn’t occur to me to be bored by the idea of spending a few weeks tagging along with my older parents. Well, not until I hit fifteen. My young heart swelled at the sight of Westminster Abbey and the Houses of Parliament shining in a chilly London fog, or the endless sumptuous rooms of Versailles rising above checkerboard gardens. My spine tingled to see the bones of the saints lying in dank crypts and the passion of Christ splashed out in the bright incongruous colors of stained glass and Italian triptychs. Believe me, I saw no shortage of stained glass and triptychs, also piétas and Virgins with Child and saintly frescoes on stone church walls. My parents, devout Roman Catholics, were a little biased toward the house of worship. We visited Romanesque and Byzantine and Renaissance, everything from the most ornate nave to the simplest country chapel. In fact, the first thing we did after unpacking our bags was to locate the nearest Catholic church, check the times for Sunday Mass, and plan the rest of our activities around them.

image
Sunday Bulletin from Holy Apostles Church in the Pimlico neighborhood of London, where my parents attended Mass in October of 1989
This went for domestic travel, too. Mom saved hundreds of dusty church bulletins from their Sunday visits over the years. I admit this was my least favorite part of our journeys. Attending Mass weekly (and forget not holy days!) at home was trying enough. None of my friends (Protestant, most of them) had to go to church on vacation, especially if it meant sitting on a wooden pew sans cushion while a priest wafted myrrh and offered the Communion Prayer in German, or French, or God forbid, Latin. Honestly, what’s a vacation if not a means of escape from life’s ordinary duties? But go along I did and here’s the thing. It hath marked me. All these years later and fallen away Catholic that I am, I can’t resist a good musky cathedral when I see one.

In a few weeks, I have reason to drive from Seattle to Atlanta. It’s a trip I both dread and look forward to. Forty-something hours in the car across country I’ve only heard tell of–Idaho, Utah, Arizona, New Mexico, and Texas. My daughter will join me a couple days in and we’ve decided to take the southern route. Emma is good with a camera and I’d like to try my hand at travel writing so we plan to document our journey, here, in My Mother’s Attic. My father loved the sort of dramatic scenery we’ll encounter, canyons and long vistas and rushing waters. My mother? Less so. Long drives and roadside motels weren’t exactly her thing. Since these are her pages, I keep thinking we need a theme for our trip, something to make our journey Attic-worthy, some pursuit that would have made Mom sit up and say, “Sure, strap me in and hit the gas!”

IMG_2627
A box of treasures from my father’s dresser drawer. Closest to his heart? His alma mater, Georgia Tech, Father Time, and of course, The Church.
Churches! We’ll pass through areas settled by Spanish missionaries, si? So between stops at river gorges and ghost towns and desert oases, Emma and I will keep an eye out for them, for churches and temples historic and plain, maybe a few that are a little strange. And when we find one, we’ll share it in this blog. When you think about it, writing is akin to hanging on to letters and photographs, boarding passes and admission tickets and pamphlets. Maybe Mom’s instincts were okay (is admirable a stretch?) Hoarding helped her to hold close, later to share, the joy she felt in real time as she sat on that plane to Munich, or strolled through the Louvre, or attended Mass at St. Mark’s in Venice. She and my father had landed themselves in places exotic and holy, places she’d only dreamed of during those long lean years of child rearing. Who could blame her for making each moment a keepsake?

If any of you reading today hail from the American West, shout out your favorite tourist attraction, especially if there’s a house of worship in the vicinity. And see ya in a couple of weeks, from parts unknown!