The Power of Stuff … or Here’s to You, Elisabeth

Attic Fans: I’m honored to welcome Laura Schalk as my first guest blogger. I like to think of Laura, a lifelong bookworm raised in Poughkeepsie who now lives and works abroad, as my very own American in Paris. We met a decade ago at a writers’ workshop held not far from Hemingway’s old haunts on the Left Bank. Thanks to the bottomless generosity of one of our workshop members, we and six others from that initial group have continued to gather each summer to work, study, write, eat and laugh together in Bordeaux. (And the local grape, we enjoy a bit of that, too.) Despite the miles that separate us, we have become the best of friends. 

Like me, Laura lost her mother a few years ago. Like my mother, Elisabeth Schalk was a discerning reader who had a flair for fashion and a tendency to hold tight to what she loved, be it a shiny pair of patent heels, a box full of paperbacks, or her beloved family. Laura’s tribute to her mother here is graceful and true.  I hope you enjoy reading it as much as I have. And by the way, Laura writes insightfully hilarious short fiction, too. Be sure to check it out through the Amazon link that follows …

 

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With my mother and her mother, and my brother Peter behind, circa 1970. I still have Mom’s Icelandic sweater. Much to my regret, the groovy shades have vanished.

Martha and I have chatted many times over the years about our mothers: when they were alive and when they were dying, and later as we were coping with their deaths and with the resulting need to plow through the detritus of a beloved and fashionable woman’s years on the planet. Across two continents, we’ve shared the attendant emotions which that particular and at times painful task has stirred up – laughter through the tears and all that jazz.

When I read the first installment of “My Mother’s Attic,” I was jerked through space and time from sitting in a chair in my living room in Paris, to sitting on the floor of my parents’ bedroom in Poughkeepsie, New York, heartsick and hot and dusty. My mom was still alive then but in a nursing home, and far gone with Alzheimer’s. My dad had decided to put the family house up for sale, and I had flown back from France to spend three days going through Mom’s stuff.

Although this had taken place several years before, as I read Martha’s blog post, suddenly there I was on my parents’ bedroom floor again, pulling pair after pair of black size eleven shoes out of the cupboards that lined the baseboard. Black flats, black sandals, black loafers, black half boots – dozens and dozens of pairs, all stretched and worked and bearing the marks of Mom’s dear feet, some emitting puffs of dust and others disgorging dead flies or hornets. (At the Lutheran Care Center, my mother and the other residents on her ward wore white sneakers with Velcro closings, though very few of them walked at all.)

While I worked, my dad holed up in his study downstairs and left me to it. My equipment: a box of extra large black Hefty garbage bags, a marker, post-its, tape. After tossing most of those damn shoes, I dove into closets and drawers full of my mother’s clothes. One of the tics of Alzheimer’s is that people tend to re-buy the same thing, and Mom was no exception. I found stacks of barely worn pastel Eileen Fisher dresses, identical black “agnes b” separates, and bushels of handbags. I shared out a dozen pair of black leather gloves amongst my girlfriends, and returned home with twenty purse-sized bottles of Purell. Dad and I made multiple trips to the Salvation Army in downtown Poughkeepsie, unloading our flotilla of garbage bags from the back seat and trunk. To cheer each other up, we told ourselves that women from the area who were looking for jobs would find their happiness and good luck in interview outfits, courtesy of Mom.

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Mom was an avid reader throughout her life. Here are a few of her best old books, one with her inscription.

Each day during this seemingly endless process, I cooked elaborate meals – magret de canard, frisée salad with lardons, crab salad tucked into beefsteak tomatoes, the mayonnaise homemade. Dad and I brought out the good china and silver and crystal (including glasses Mom never let us use) for both lunch and dinner. Between bouts of cooking and sorting, I meandered through the house putting post-its on chairs, paintings, a desk, that read, “Laura – Paris.” At the time, this seemed a momentous and never ending task and I struggled to see the point of shipping all that stuff home.

And yet, as I prepared the other weekend for a dinner party, I set the table in my flat on Rue de la Chine with my parents’ wedding silver. I put tapers in some candlesticks that used to grace the dining room table of my youth. I didn’t serve my friends anything as refined as the meals Mom would spend a day preparing (Julia Child’s coq au vin, lemon-lime soufflé), but I felt joyful carving my basic roast chicken on a lovely old Willowware china platter. And when my friend Nadia had a recent dinner party of her own, I brought a few things along … we ate Berber chickpea stew (a recipe from Nadia’s mum), served on my parents’ pink linen placemats with matching napkins. I’m sure my mother, ever the expert and gracious hostess, would smile to see her old treasures being used in other’s homes, and used again.

It may be reductive and even ridiculous to state that my mother is dead but lives on through her wool coat, her books, or the much-mended eight foot long white linen tablecloth she rescued from the dissolution of her own parents’ home. But still, to this day I can’t leave the house without wearing or taking along some item of Mom’s: a ring, a bracelet, a slippery Hermes scarf that I never can tie with her Seven Sisters’ insouciance. And when some months ago, the chain to one of Mom’s necklaces broke as I was getting dressed and the pendant dropped to the floor and rolled from sight, I wept. I crawled around on all fours searching until, already late to my meeting, I had no choice but to give up. I shoved one of her rings on my finger, reapplied mascara and left the flat.

As time passes, I continue to muse about the lingering power of objects that have been owned, held, chosen, worn by our loved ones. Is it unhealthy, superstitious to confer such mojo on material things? Perhaps. Probably. And yet, in amongst the clutter my mother left behind, there were multiple potent talismans, enough to buoy her daughter, to propel her through the days ahead.

POSTSCRIPT: As I prepped for the Women’s March in Paris last week, I was sure to wear the t-shirt my father gave me years ago, one which sadly is now more relevant than ever, and says, “Women’s rights are human rights! Stop the Republican war on women!” But I also gave full reign to my mania for talismans and wore or carried a panoply of objects from beloved women and men in my life: bracelets, a necklace, earrings, a pin, a flask and Dop kit and a handkerchief. Before I headed out, I tucked a water bottle bearing photos of my nephews in my knapsack and slipped my mother’s wedding ring on my finger, a thick gold band whose inscription is still visible: “Amor vincit Omnia.”

–Laura Schalk                                                                                                                                        

Laura’s short fiction is anthologized in “That’s Paris: An Anthology of Life, Love, and Sarcasm in the City of Light” and “Christmas, Actually: A Holiday Collection.” You can find both at http://amzn.to/2jL4Oun.   

Have Faith, Will Travel

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Who knows when you might need a good piece of hotel stationery? My mother’s collection dated to the seventies.
My mother spent her twenties and thirties (and thanks to me, her forties) changing diapers by day and going to PTA meetings by night. While my father went from WWII vet to laundromat owner and on to the life insurance business, she prettied up basement apartments and matchbox houses ’til they felt like home. But Dad thrived at Guardian Life, and by the time I reached double digits, Mom figured it was her turn, time to shake out her wings and fly, literally. Travel became her passion. I don’t mean quick jaunts to the Georgia coast or the Smoky Mountains, places my father, known to gaze upon a crashing waterfall for hours, loved. My mother didn’t mind an ocean breeze or the smell of woodsmoke now and then, but the older she got, the more she craved something a little higher brow–the French Quarter, Williamsburg, Gothic Cathedrals and castles on the Rhine, the Tuileries, and of course, Harrod’s and Le Bon Marché.

 

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Who knew? The small town Florida girl, the markedly fertile eldest daughter of a Baptist dentist and his civic-minded wife (neither of whom ventured beyond the rolling hills of Virginia) pined for the Old World. In her fifties, my mother joined study groups led by Atlanta professors of history and literature and philosophy. She bought oversized maps and guidebooks (saved in the Attic, by the boxful). She thumbed through classics like A Moveable Feast and Dubliners at the public library. She concocted elaborate itineraries that she oft edited and revised, adding notes in red about what neighborhoods were frequented by which authors and which shoes to wear with what skirt to which restaurant. My father, hesitant but game, found the local Delta office and gathered birth certificates and with Passports and Travelers Checks in hand, my parents were off.

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My first trip to Paris, summer 1972. Since, I return often to find the little piece of my heart I left behind.
The only child still at home, I was invited along on some of these Grand Tours. Above, c’est moi at twelve, enjoying a baguette while cruising the Seine. It didn’t occur to me to be bored by the idea of spending a few weeks tagging along with my older parents. Well, not until I hit fifteen. My young heart swelled at the sight of Westminster Abbey and the Houses of Parliament shining in a chilly London fog, or the endless sumptuous rooms of Versailles rising above checkerboard gardens. My spine tingled to see the bones of the saints lying in dank crypts and the passion of Christ splashed out in the bright incongruous colors of stained glass and Italian triptychs. Believe me, I saw no shortage of stained glass and triptychs, also piétas and Virgins with Child and saintly frescoes on stone church walls. My parents, devout Roman Catholics, were a little biased toward the house of worship. We visited Romanesque and Byzantine and Renaissance, everything from the most ornate nave to the simplest country chapel. In fact, the first thing we did after unpacking our bags was to locate the nearest Catholic church, check the times for Sunday Mass, and plan the rest of our activities around them.

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Sunday Bulletin from Holy Apostles Church in the Pimlico neighborhood of London, where my parents attended Mass in October of 1989
This went for domestic travel, too. Mom saved hundreds of dusty church bulletins from their Sunday visits over the years. I admit this was my least favorite part of our journeys. Attending Mass weekly (and forget not holy days!) at home was trying enough. None of my friends (Protestant, most of them) had to go to church on vacation, especially if it meant sitting on a wooden pew sans cushion while a priest wafted myrrh and offered the Communion Prayer in German, or French, or God forbid, Latin. Honestly, what’s a vacation if not a means of escape from life’s ordinary duties? But go along I did and here’s the thing. It hath marked me. All these years later and fallen away Catholic that I am, I can’t resist a good musky cathedral when I see one.

In a few weeks, I have reason to drive from Seattle to Atlanta. It’s a trip I both dread and look forward to. Forty-something hours in the car across country I’ve only heard tell of–Idaho, Utah, Arizona, New Mexico, and Texas. My daughter will join me a couple days in and we’ve decided to take the southern route. Emma is good with a camera and I’d like to try my hand at travel writing so we plan to document our journey, here, in My Mother’s Attic. My father loved the sort of dramatic scenery we’ll encounter, canyons and long vistas and rushing waters. My mother? Less so. Long drives and roadside motels weren’t exactly her thing. Since these are her pages, I keep thinking we need a theme for our trip, something to make our journey Attic-worthy, some pursuit that would have made Mom sit up and say, “Sure, strap me in and hit the gas!”

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A box of treasures from my father’s dresser drawer. Closest to his heart? His alma mater, Georgia Tech, Father Time, and of course, The Church.
Churches! We’ll pass through areas settled by Spanish missionaries, si? So between stops at river gorges and ghost towns and desert oases, Emma and I will keep an eye out for them, for churches and temples historic and plain, maybe a few that are a little strange. And when we find one, we’ll share it in this blog. When you think about it, writing is akin to hanging on to letters and photographs, boarding passes and admission tickets and pamphlets. Maybe Mom’s instincts were okay (is admirable a stretch?) Hoarding helped her to hold close, later to share, the joy she felt in real time as she sat on that plane to Munich, or strolled through the Louvre, or attended Mass at St. Mark’s in Venice. She and my father had landed themselves in places exotic and holy, places she’d only dreamed of during those long lean years of child rearing. Who could blame her for making each moment a keepsake?

If any of you reading today hail from the American West, shout out your favorite tourist attraction, especially if there’s a house of worship in the vicinity. And see ya in a couple of weeks, from parts unknown!

Peace, on Earth

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Two front teeth, please, and don’t even think about grabbing my purse. Circa 1965.

It’s happened again. Another big flashy holiday, the biggest, flashiest of all, and my pen, errrr, keyboard, fails me. What to write, how to say something fresh and worthwhile that’s not been said before? I noodled over a Thanksgiving post, The Holiday Table perhaps, and in it, creased snapshots from the Attic featuring me at ten, seventeen, thirty-two, gathered with my siblings, nieces and nephews, later my own children, around my mother’s Queen Anne dropleaf. In each photo, my father smiles, his specs aglint with the murky autumn light. In his hands, a sharpened knife, a serving fork, and before him on the linen tablecloth, a plump glistening turkey, a cornucopia of gourds or harvest fruit, an array of flatware and crystal …

Hark! Is that Norman Rockwell tap, tap, tapping at the door? Sub in a poinsettia or a bowl of holly (as my mother often did), tattered stockings by the fire, and soon we’ll have Tiny Tim hobbling in on his crutch.

So I skipped the Thanksgiving post. No matter where I went with it, cliché ensnared me like an unwieldy octopus. But in the weeks since, I keep coming back to these instant replay table pics, to those uneven smiles and sometimes weary faces. I think of the hundreds of old Christmas cards my mother saved, the bag after bag I tossed during last spring’s Attic purge, of the rescue bows and recycled paper, the rusted tree stands and broken ornaments.

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Peculiar as it now sounds, we waited ’til Christmas Eve to hang the stockings. The youngest, I was charged with fetching them from the Attic and updating the guest list, so to speak. With my handy Magic Marker I reminded Santa which of my adult siblings were currently in residence. Were we so destitute? Why not purchase fresh stockings as the family grew? It boggles the mind, yet this particular Christmas my sister-in-law had to share her loot with her daughter, Michelle, as well as with my sister.

My mother even saved used gift tags, a few of them from gifts my grandparents gave her when she was a child. These rustled up such happy thoughts. Oh how I loved to unload the box that arrived each year from our Florida grandmother. I took great care to arrange the gifts just so under the tree for my older brothers and sister to see. Who cared that Grandmom never bought us anything we wanted or needed? I looked forward to the yearly cotton handkerchief from my grandfather, always embroidered at the corner with something magical, a fairy tale cottage, a bouquet of flowers, a single daisy. I used to marvel, too, at my grandmother’s knack for wrapping gifts without using a single snip of scotch tape. Just paper and ribbon. I still don’t know how she did it.

 

What’s that? It wasn’t about the gift, you say, not the present but the presence, the tradition? Bingo! The clichéd tentacle squeezes … Yet, how can I deny it? Christmas was big at our house, a day my father adored. He and my mother left us a wealth of moments to remember. Like all memories, some bring us joy now, some leave us sad. They’re stubborn little buggers, too, setting up shop in our hearts, our minds, our psyches if not our souls. So we laugh, we cry, we treasure, we curse, but by golly, as we gear up to take another spin ’round this beautiful scarred old planet, these moments will have their say.

Yesterday, I spent an afternoon in the woods, at a spot my Mattingly family grew to love during the last years of my parents’ lives. Each Labor Day for fourteen years, as many of the four generations strong of us as were able would fly in or motor up to spend the weekend together. We hiked, golfed, ate, drank, laughed, rocked, ate, drank and laughed some more. This past September, the first since my mother’s death, we weren’t able to pull the trip off. This cooked up a nice cocktail of conflicting emotion for my siblings and me. The torch had been passed and already, we were failing to carry on a cherished, if expensive, family tradition. No surprise then, that when out of the blue my husband planned a quick getaway to one of the cabins where on those Labor Days of old cousins and nieces and nephews slept and played, I was a smidge hesitant. Their fly fishing gear happily stowed in the trunk, husband and older sons drove up at dawn and I followed later, with a sizable lump in my throat. Still, it was a lovely balmy December day and minutes after I pulled in, I set off to hike to Duke’s Creek Falls. I’d hiked there dozens of times before with the family group, the wise and slow of foot and the young and energetic alike. The woods were silent by comparison, my journey wistful but sort of okay. Alone, I could hear the scamper of small creatures through fallen leaves, bare branches clicking in the light breeze, Duke’s Creek gurgling along.

Then, I rounded a corner and there in the middle of the path was this–

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Peace, on Earth. Literally.

Ah! Two feet in diameter, a tired symbol made new, a circle, a wreath! And one fashioned by hand (using the same holiday greenery I paid way too much for last week at Pike’s Nursery). What a generous soul, to pause and leave me, others, this, a moment to remember. I snapped a photo with my Iphone and hiked on. By the time I got back to our cabin, this post had nearly written itself in my mind. A good gift, and many thanks to my fellow hiker, wherever you are.

Peace, everybody, really. And good will. Hope your holidays are full of them.

 

 

 

Dust to Digital

The ancestors live on ...
The ancestors live on …

About a month ago, our middle son returned after a year of work/travel abroad. He’s an easygoing sort, as comfortable nestled in a sleeping bag in the highlands of New Zealand as he is on a ratty basement couch. A good thing this. While he was off with the Kiwis, I was feathering his old nest in vintage Attic style. Out with the bunk beds and Pink Floyd posters, in with the Colonial end table, the Empire rocking chair, the spool-turned, “three quarters” bed. Matt, who stands at just under six foot two, must stretch out diagonally to comfortably sleep. Moreover, he wakes each morning to see his great grandfather’s Dental License hanging on one wall and opposite, a series of ancient family crests, all of which I’ve been meaning to re-frame but well, haven’t. A squirt of Windex and a firm swipe and they’re (almost) mildew-free.

Matt (full name Mattingly Payne … see how that noble crest makes the room his own?) is a good sport about his Attic-inspired digs. (Does he have a choice as he deliberates his future while working three part-time jobs?) He’s such a good sport that he’s agreed to help out with The Attic Project, Phase Two (part-time job number four!). At long last I’ve begun to sort through the mangy boxes and bins I dragged last spring from my mother’s house to mine, and somehow I’m now a little less enamored with, for example, the non-functional travel iron, the stained taffeta trousseau dress, the broken down high chair and my old Easy Bake Oven.

My school lunch box, circa 1968. No reason to save this, right? Then again ...
My school lunch box, circa 1968. No reason to save this, right? Then again …
“Will not Heat.” Good to know, Mom!

What in the heck do I do with all this stuff? The temptation to heft it straight up to my own attic is strong. This has become my husband’s greatest wish. Never has he been so eager … I can carry those boxes on up for you. There’s plenty of room up there! I refuse him. I know myself too well. As long as these treasures remain close at hand, stacked and gathering dust in plain view, I will eventually make myself organize and properly store them. Once it’s all out of sight? No dice.

We begin with the letters. Hundreds of letters. Include the sundry Christmas/Valentine’s/Anniversary cards, and it’s a clean thousand. Cross my heart. Matt reminds me he’s a bit of an expert at archiving, having worked just out of college for a company called “Dust to Digital,” where he scanned and preserved papers and albums left behind by forgotten folk artists. Parfait! So I’ll take the old fashioned tasks and he’ll digitize. Armed with new acid-free, archivally-safe sleeves, I open out yellowed missive number one, June 1938, penned by my mother, still single, a 19 year-old Agnes Scott student, to my father, a recent Georgia Tech grad who’d taken a sales job with National Theatre Supply Company in Albany, NY. I slide the pages and their matching envelope into the sleeve, tag it by date, and move on. Only I don’t move on. I stop to read the letter. And the next one, and one more, and soon I realize Matt is scanning and documenting at a rate of about five to my one.

A small sampling of the notes, cards, letters saved.
A small sampling of the notes, cards, letters saved.

Ah, to be young and efficient again. But look here … after a summer and autumn of bi- or tri-monthly letters sometimes mundane but often flirtatious, my mother one January day pauses, mid-letter, to announce: “Ed, I feel that I must tell you something right now …” Uh-oh. “… Above all, a person must always be true to himself …” Mother! “What I’m trying to say is this–I am in love with someone in Florida. You told me last fall that I must tell you whenever I fell. Well, on New Years’ Eve I suddenly realized that it had happened to me. As you’ve probably guessed, it’s the dentist.”

The dentist?!? A love interest kind of dentist? I’m so intrigued I read the letter aloud, even the part where Sara begs Ed to remain her friend (!). “It would hurt me terribly if I thought you didn’t understand … You are one of the finest people I know. Don’t ever change your big ideals!” And she signs off not “Love,” as previously, but “Always, Sara.”

By now, my youngest has joined us in the kitchen … “That’s so weird Mom,” he says. “I know!” I say. “A Dear John letter!” “No …” he says. “I mean, the way they wrote back then. So weee-ird.” Well, yes. They used pen and paper. And full sentences! Punctuation even!! But I know what he means. There’s a strange and somehow innocent formality to my parents’ correspondence. It’s still there later, after my father–who wasn’t about to give up the fight–invites my mother to come up and visit the 1939 Worlds’ Fair. After much fretting that my grandfather couldn’t afford the train fare, she tagged along on a friend’s road trip. By this time, sweet Sara was sending Ed her love again and flirting right along. Two weeks after the Worlds’ Fair weekend, she writes, “This afternoon I was putting a few things in my scrapbook and what memories they brought back. Ed, it all seems like a dream now! Will you ever forget the Waldorf Astoria? The other night I listened to Guy Lombardo’s orchestra and pretended we were dancing together again …”

Letter my mother wrote the evening my father returned to Albany after their outing to the 1939 Worlds' Fair.
Letter my mother wrote the evening my father returned to Albany after their outing to the 1939 Worlds’ Fair.

A year and a half later, they were married (see Stardust Memories, Parts I and II, there in the sidebar, just a click away!). Today, November 8th, would have been their 74th anniversary. I look around at my house strewn with papers and odd souvenirs (and archival sleeves!) and decide, yeah, it’s worth it. Thanks to Matt, my brothers and sister, my nieces and nephews, my children and (yikes) grandchildren, will be able to enjoy this little slice of family history. Maybe they’ll think, “Hmmm. Weird.” But they might smile while they’re at it, the way I can’t stop doing myself.

Happy Anniversary, Mom and Dad, no thanks to the Florida dentist!Fancy Joe and Pop

PS! You might notice I’ve tinkered with my blog’s layout. I may totally rework it soon … comments and suggestions welcome!

Boys to Men

Fun at the Lake, the Mattingly Brothers, late 1950s
Fun at the Lake, the Mattingly Brothers, late 1950s. George, Ed, John, and Tom.

Growing up, my sister and I were bookends to a guy bookshelf, the girly bread on a sandwich four-boys thick. It made for a rowdy childhood, a household full of mischief, especially for my sister as the oldest. At right, my brothers are boys again, enjoying a warm summer day in the north Georgia mountains. Originally a slide, (one of thousands my oldest nephew has tirelessly digitized), this photo is straight out of Mom’s attic. Of all the grainy, dog-eared images I’ve sifted through lately, this is one of a few that nag at me, keep me clicking back, again and again.

Westminster Men's A Capella, 2015-16, at Tate Mountain, Georgia.
Westminster Men’s A Capella Retreat, 2015-16, at Tate Mountain, Georgia.

When a week or so ago the photo at left popped up on my Facebook feed, I pulled the old brothers’ pic up yet again. The dock and dive tower, the distance to the far shore, the reckless joy of a summer’s day on the water struck a familiar cord. I’m pretty sure the setting is the same. Now and then, our family tagged along when my uncle visited a friend’s summer home at Tate Mountain, Georgia. The dive tower has been rebuilt (though whether with safety or increased risk in mind is hard to say) without sacrificing the earthy primitive feel of this remote mountaintop retreat (It’s private, by the way, so don’t get any ideas).

This coincidence of place, though it got me thinking, isn’t really the point. It’s the fresh faces, the body language, the endlessly varied expressions of these young men–even the ones I hardly know–that grip me. In part, it’s something shared, some deep boyishness in their bearing that plucks my heartstrings. I think of my own sons, young men now but still boys to me. I think of my father, who loved lake and ocean and waterfall alike, and most of all, I think of my brothers, those four guys I idolized as I grew up (even when they were needling me, calling me disparaging names, and later, ordering me to the kitchen for beer and snacks to enrich their football afternoons).

I didn’t know them when they were as young as the first photo depicts, but I swear I get a glimpse of the men my brothers were to become. In Ed, the oldest, there’s a certain vulnerability, an eagerness to please. I see the hesitant but dutiful Marine he would one day become. Next, George the renegade, slouching, planning his next move as he sizes up the photographer with a skeptic’s eye. Then John, his hands crossed so sweetly, a little aloof, always thinking. Finally, Tom with his wily grin, the youngest but always his own man, witty and confident.

ROTC Ed with brothers, Marist School, Atlanta.
The brothers a little older. ROTC Ed at left. All students at the Marist School, Atlanta, the others would follow his lead.

Why do we cling so tightly to images, both recent and long past? Maybe because a moment caught in time can be just this full of possibility, studded with character clues, even hidden meaning, long after the subjects pictured have moved on or passed away. Maybe this lies behind our current compulsion to click and edit, post and share, zoom and enlarge. We have this need to document, leave something behind, even if we aren’t sure what will prove meaningful, even epic, and what will be trash. (Consider the tattered photos my one-eyed father snapped on his old Kodak. Mom kept those too. Family members are split down the middle or cut off at the neck; grand cathedrals bleed off the page while front and center is a nameless fire plug, an unidentified stretch of highway, or as shown below, a blank wall and tasteless curtain. Très post-modernist my father, and he never knew it.)

White Wall, with Son and Daughter, circa 1969.
White Wall, with Son and Daughter, circa 1969. Note Tom’s steely grip and the terror in my eyes.

Maybe I’m full of baloney! Maybe we just like to see ourselves, capture our requisite fifteen minutes (isn’t it more these days?) of limited fame so we can broadcast it to the cyber world. But I will say this. I’ve know some of the guys in the more recent Tate Mountain photo for years now, a few of them since they were kindergartners, and I get the same dizzying sense of deja vu when I see them here. There’s the kid who always made the moms laugh on the playground, just as playful now. And another, still gentle and wise and shy of his movie-star good looks, a third always cool, a little wary of what’s being asked of him. As for my youngest son–far left, second tier, blue trunks–I can’t quite put my finger on it, but something about his stance, that hand at rest on the railing, the muted smile, has been part of him since the day he was born.

I’ll close with a PS snapshot of my brothers with my sister and me. They don’t look that different, do they? I mean their expressions, their essence, shine through. And what a comfort it is to see that Ed, whom we lost eight years ago, kept that boyish smile, the warm heart it heralded, right down through the years.

Mattingly Siblings, 2005, Smithgall Woods.
Mattingly Siblings, 2005, Smithgall Woods.