A Tale of Two Cousins

During a late sweep through the dark corners of my mother’s attic, I stumbled upon a moldering shrine to one of my paternal great-aunts. Louise Bickers, a.k.a “Weezer,” was a feisty single woman whom I loved like a grandmother. With affectionate if drowsy interest, I dragged over a rickety wooden stool and dusted off her leftovers—stacks of limp letters, photos with curled edges, family trees scribbled on yellowed paper, and a decomposing shoebox of daguerreotypes.

Stumped? So was I. An early form of photograph produced by “fuming” mercury vapor onto silver-plated copper, the daguerreotype was introduced in 1839 and became obsolete by the 1860s. The 1860s! And there I sat, a hundred and fifty-plus years later, with several in passable shape. I ran my finger along the hammered tin frames, eyed the elaborate clothing, the formal, sometimes severe gazes. Where did these people—certainly family—live? What did they do? My curiosity piqued, I tucked the least fusty samples into a fresh plastic bin beside far too many of Weezer’s letters and photos and family trees, and moved on.

During the pandemic’s endless, vacant shut-in hours, I fetched up those family trees, rebooted my Ancestry.com membership, and typed in name after name. It was fun, by 2020 standards, learning how to create profiles for my long-lost blood kin and search for relevant documents and photos. When a grainy image of one of my great-great grandfathers popped up, I knew immediately it was—you got it—a daguerreotype. I fished out Weezer’s frames to compare and contrast. None of the faces matched exactly, but they favored, as my mother would say.

At once piercing and playful, my second great grandfather’s gaze seems especially, hauntingly, familiar. Born in 1825, Thomas Blake Bourne descended from a long line of tobacco planters in Calvert County, Maryland, a leg of land that kicks out into the Chesapeake Bay. The Census of 1850 valued his property at $2,500, equivalent to about $150,000 today, making his a healthy if small farm for its time. I can’t pinpoint the farm’s exact location, but odds are it was on or near Eltonhead, a tobacco manor along the instep of the county’s watery foot, tracts of which had belonged to Bournes since the late 17th century.

Thomas Blake Bourne, Lieutenant of the “CSA” and my second great grandfather

A city girl, I smiled to picture my great-great grandparents, Thomas and Margaret Louisa, living their quaint, rural 19th century lives. Soon a marriage record surfaced from May of 1848, a photo of Thomas’s gravestone, the inscription honoring him as “… a devoted husband and father, true to his friends and his country,” and a certificate proving that his maternal grandfather, Colonel Joseph Blake, fought in the American Revolution. Cool. I’m a DAR. I felt all rosy with pride. Then something else, less than quaint, caught my eye—a Slave Schedule, an appendix to the 1850 Census in which enslavers identified their “human property,” not by name but according to age, sex and color. I blanched, my ancestral pride dissolving as I counted the tick marks beside Thomas’s name: an even ten, six black males and four black females between the ages of six and forty-five.

I attached the Slave Schedule to Thomas’s profile and clicked back to his daguerreotype. That playful grin … might it be more a cunning smirk? My forehead heavy in my palm, I called my daughter in New York.

“We are from the South, Mom,” she said, unsurprised.

“But your grandfather came from humble roots,” I argued. “And Maryland’s hardly the South …”

“I know, Mom,” she said gently, knowingly. “But even small farmers enslaved workers back then.”

Which I knew, but this was our family, a whole different ballgame. I hung up and returned, dull eyed, to my laptop screen. Lined up in the right margin, I noticed tiny circular photos I’d missed before, profiles of other genealogists who’d saved Thomas Bourne’s image. I hovered over one, then another and another, and a pattern emerged—many belonged to people of color. What’s more, the family tree associated with each profile included a common ancestor, a man named Louis H. Bourne.

With clammy fingers, I typed Louis’s information into the Ancestry search engine. My first hit was the Census of 1860, which lists Louis H. Bourne, born 1830, as a “mulatto” head of household and farm laborer in Calvert County. More hits revealed that by 1880, Louis and his wife, Margaret, had purchased over thirty acres of land and settled down to farm tobacco in Island Creek, a breezy community along the Patuxent River that lies about fifteen miles from where Thomas Blake Bourne lived with his family. 

Calvert County in the Colonial Era

Or used to live. In 1855, amid rumblings of the war to come, Thomas had moved his household—including three children and at least nine enslaved persons—across four rivers and the Mason-Dixon line to a manor house near the James River in Virginia, a state he surely wagered would prove friendlier to his future as a planter. Eight years and three children later, Thomas enlisted to fight for the confederate states. He was thirty-eight. Around the same time, Louis H. Bourne, thirty-two, signed on with the Union Army. And so it was that second cousins, as I believe they were, took up arms against each other in a war rooted in misconceptions and greed. Were Thomas and Louis aware of this? I suspect so. It was a much smaller world then and Thomas still had family aplenty in Calvert County. Both men survived, though my great-great grandfather would die suddenly ten years later, the youngest of his nine children only eleven years old.

As intrigued as I was conflicted, I reached out to a few folks whose trees included Louis Bourne. Responses were scarce, but eventually I heard from Florencetine “Tina” Bourne Jasmin of Baltimore County. I hesitated–what right did I have to barge into her life?–then dove in and wrote to her that we could be related, somehow, through Louis Bourne.

“Oh my gosh,” Tina responded. “I’ve been hoping to find someone who might know something about my great grandfather!!!” Smiling again, I shared a little about my family. Tina sent photos of her son and daughter and grandchildren. She told me Louis Bourne had remained—thrived—in Island Creek until his death at seventy, as did many of his children, and some of theirs, and theirs and theirs right up to the present. Louis and Margaret had eleven children, among them trailblazers who stared down the fetters and hostilities of the Reconstruction and Jim Crow eras. One of their sons, Ulysses Grant Bourne, was among the first black physicians to practice in Frederick, Maryland. A grandson, James Franklyn Bourne, Jr, was the first black judge to serve on the district court for Prince George’s County. Quite a legacy, an improbable triumph in fact, and this was only the beginning.

Louis H. Bourne, 1830-1900

At some point, I told Tina I regretted the unspeakable abuses my ancestors had visited on hers. “This history is beyond our control,” she mused. “I want to believe our ancestors are pleased with us for trying to reconcile our past.” Awed by her tolerance and wisdom, I thanked her and we dug in, working to make sense of our family ties. Tina quickly shared her best clue–a digital copy of Louis’s death certificate which names his mother as “Gracey Mason,” and his father as “James Bourne.” James Bourne? Thomas’s father, my third great grandfather, was named James. But then so was his oldest son, and his first cousin, James Jacob Bourne. Which James fathered Louis? And did he enslave Gracey Mason and the son they shared? Hard to know. A pair of 19th century Calvert County courthouse fires destroyed wills and bills of sale that might have given us proof.

We called in help. Tiffinney Green of Baltimore, Delma Bourne-Parran and Patrice Evans of Prince Frederick, and another cousin in California, all descendants of Louis Bourne, joined our search. The emails flew. We shared trees, unpacked oral history. Hoping to discover shared DNA, we spit in vials, waited, and waited some more.

From the will of Jacob Bourne, my 5th great grandfather.

The results: Delma, Patrice and Tiffinney each match with at least one of my distant white Bourne cousins. And the kicker–Patrice’s sister and I share DNA. Heartened by this proof of our kinship, we analyzed and drew charts and at last wagered that James Jacob Bourne (1791-1850), an enslaver of twenty-two, most likely fathered Louis H. Bourne. This means our common direct ancestor is my fifth great-grandfather, Jacob Bourne (1721-1771), whose will survives with a full inventory attached. In the same figurative breath as a tea kettle, three old sickles, and the spinning wheel in the corner, Jacob names Grace, age forty-five, as one of several enslaved people to be “gifted” to his sons. Might this Grace have had a granddaughter who was passed down the line to James Jacob? It was common after all for baby girls to be named for a grandmother.

My ethnicity compared with that of a person of color who shares DNA with both Patrice Evans and me.

Due to those courthouse fires, for months we had little else to go on. Then Tiffinney found a Grace Mason, born 1807, listed in a Calvert County registry of Free African-Americans in 1832. She lived with a Hannah Mason, age forty. A Louis Mason, age two (just Louis Bourne’s age), also appears in the registry and seems to have been part of Grace’s household. Grace and Louis Mason then disappear. Free people of color were often servants in households that enslaved others, and our hunch is that Grace Mason worked for James Jacob Bourne. Maybe at some point, say when Louis was a child, James took in Grace and their son, maybe even enslaved them in some sort of twisted effort to control them. Did Louis Mason then become known as Louis Bourne? Did James Jacob later free his son who should have been free all along?

We’ll likely never know the full truth. The fact that Louis shows up in the 1860 Census means he was a free man well before Maryland officially emancipated its enslaved. Hannah Mason, the woman listed alongside Grace in the 1832 Registry, provides another clue. Louis’s 1860 household included a Hannah Mason, age seventy-four. Though the years don’t quite match up, they’re close enough for that era to suggest that Hannah was Louis’s grandmother, and that her daughter–Louis’s mother, Grace–died young.

Unless James Bourne sold Grace off.

“I pray that was not the case,” Tiffinney wrote to me.

I pray so, too.

Much work remains. Most of my family lines run back to the colonial era, where other fraught relationships lie in wait. Tiffinney and I have DNA matches in common that suggest we may also be kin through my Mattingly side, and I’m in touch with another young woman directly descended from Colonel Joseph Blake. Looks like the Colonel’s son had his violent way with her third great grandmother.

Broome’s Island at the mouth of Island Creek, not far from where Louis Bourne farmed tobacco and raised his eleven children.

In May, my sister, JoJo, and I visited Calvert County. We researched alongside Tina and Tiffinney, and after, the four of us gathered for dinner with Patrice, Delma, and Marietta Bourne Morris, who still lives in Island Creek. We bored each other with family stories. We laughed over wine and margaritas. Humbled, JoJo and I accepted the kindnesses these women offered. Strong one and all, they overlook with seeming ease the troubled origins of our relationship and accept us as family. I’m proud to call them cousins, hopeful that Louis and James Jacob, Thomas and Grace Mason and my great aunt Weezer are indeed pleased.

Moving forward, I’m not naïve enough to expect from others the open-hearted welcome I’ve received from the Bournes. It’s nothing I deserve. One thing seems certain—this is not a tale of two cousins. It’s a tale of hundreds, thousands—dark-eyed and green and blue; blonde, red-haired, brunette; Irish and Bantu and Latin, Nigerian and Welsh and Congolese. Our skin shines ebony and alabaster and every hue between, and our cells quiver with the tangled threads of those who came before us, our human race.

Family

Postscript: If this sort of research project interests you, message me below or through Facebook. I’m happy to share tips and links to resources. There are many!

She Who Taught Me to Read

Screen Shot 2020-03-21 at 1.38.15 PMHonestly, I’m not sure this is true, that my mother taught me to read. I recall lying belly-down on a thick-piled prickly rug (an Oriental, as Mom used to call them in the days before we knew better), sounding out words in The Little Engine That Could. But the rug in question covers the floor of my father’s library, and it is my father, crunching numbers at the desk above me, who comes to my aid when phonetics fail and I stumble over a word. 

The thing is, “learning to read” involves much more than figuring out a diphthong (“bl” plus “UE” equals blue?!?), or understanding that “th” ends up sounding like whatever it is (“I think I can, I think I can,” said the little blue engine). Learning to read means coming to love the musty smell of an old paperback, the grainy touch of its spine, the voices both lyrical and rational that speak from the pages of any book, even an e-book. Learning to read means finding your proper posture. For my mother, this meant perched with straight back, ankles crossed and feet up, whether tucked, tickly, behind me on the couch or buried under her bedcovers. Learning to read means losing yourself to the story, soaking it in through your pores so deeply that the satisfaction of reaching the conclusion to a well-crafted tale feels not unlike the sensation of discovering someone you’ve long loved from afar loves you back. And when the tale ends, when you must surrender your book’s characters and plot twists and precise lovely language back to its well-thumbed pages, it’s as sweet a sorrow as love lost.

But my father. It’s not that he didn’t read. Daily reading was part of the routine that sustained him. His day at the office complete, the dinner dishes rinsed and racked, he carried his Wall Street Journal and the Atlanta papers to his armchair in our family room and settled in. He read his papers pretty much cover to cover, but he wasn’t much into fiction. At one point in late middle age he became enamored with Ferrol Sams, a Georgia novelist whose most successful book, Run with the Horsemen, told a coming-of-age story about a young boy growing up during the Depression, much as my father did. Other than that, I don’t remember a single fictional title in Dad’s lifetime bibliography. He may have shored me up with the fundamentals, provided the scaffolding for the life in words I would build, but it was my mother who proved true the adage, Children Do What You Do, Not What You Say. Mom read everything, everywhere: den, kitchen, bedroom; trains, planes, automobiles; mountain cabins, hotel rooms, beach.

Yesterday was her birthday, number 101 were she still with us, and with COVID19 running roughshod over our world and everyone in it, I have more time to read. It’s one of the things that helps me stop obsessing (did I wash my hands after touching that banister? Wipe down that counter where my son just scarfed down a sandwich? Did I, did I, did I?) I’m glad, in a way, that my parents aren’t around during these troubled times. My mother, as my sister reminded me this morning, couldn’t abide talking about one’s health, or illness in general (what else is there to talk about now?). And my father lost his mother to the 1918 Flu Pandemic, the only other health crisis in modern history to grip the entire planet as ruthlessly as COVID19. Dad always claimed he couldn’t remember his mother’s illness or death. He was only four at the time, but I fear some long-repressed and terrifying images might have resurfaced for him, were he around to try and survive this scourge.

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My grandmother, Frances Bickers Mattingly, circa 1908.

My grandmother Mattingly was a lovely woman, as you can see here. She died, pregnant with her fourth child, at age thirty. Unlike COVID19, the 1918 pandemic killed mostly strong young adults. Though I never knew her, I miss my grandmother somehow, and always have. With all this idle time on my hands, I miss my father, and especially my mother, during this, her birth week. The less we’re occupied, the more strong emotions rise to the surface I suppose. And though it seems wrong, selfish to speak it, I miss getting together with friends. I miss eating out and going to movies and plays and damn it, it’s spring. Of all entertainments, I miss baseball the most.

We–that is those fortunate enough to have so far avoided the virus–have lost something we desperately need: camaraderie, breaks to the routine. But I have what Mom left me, a love of books to help pass the shut-in hours. And I’m most grateful.

 

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My current bookshelf

Centennial

All week, I’ve been noodling over a proper way to honor my mother on this March 21, 2019, the day she would have turned 100. I hate to repeat myself, or post photos I’ve likely used before, just because for my family this is a noteworthy day. But it does seem significant, the centennial. When early this morning, before my second cup, my daughter launched a group family text from New York, I thought, hmmm, she nailed it, and with little more than a string of emojis. Who needs words? Emma gives a crisp and warm tribute to “Joe,” the grandmother she respected and adored. 

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Then again … for those who still love words the way Joe did, perhaps a brief concordance is in order: Not exactly an angel in life, my mother, a devout Roman Catholic, certainly wears the loveliest of halos now, in one form or another. A woman worthy of swirling hearts? Absolutely. A charmer who loved to dance to the likes of Glenn Miller, she had her share of romances and enjoyed them every one, but once she settled down (at 22 no less), she was a loyal and caring partner to my father for 63 years. A superstar? Yes, Joe was, if a quiet one, as the characters that follow the star aptly suggest. Flowers … give her an old cut glass vase and she could bring out the best in simple back yard blooms. And, ah the little blue dress. Had she lived in another time or birthed fewer children (i.e. me), my mother had a shot at being the next Dior. Her sewing machine was her creative outlet and her family’s delight, as my sister and I and Emma herself can attest. At 81, Mom created for her a flower girl dress to wear in my nephew’s wedding that was elegant and sweet, just the thing for a six-year-old .

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My mother at nineteen, duly admired by some of her beaus.

Next a crown … Was Mom the Princess to my father’s Prince? Indeed she was, bejeweled and beloved. And of course she became an old woman, a grandmother. If not doting, she was affectionate, full of pride and love for her twenty-five grandchildren and great-grandchildren. Still, my mother did not go gentle into that good night. I honestly don’t think she ever thought of herself as elderly, and though her stubborn resistance to things like wheelchairs and retirement homes brought her unnecessary heartache and her family endless frustration, maybe her stolid resistance to accepting the concessions of age was what kept her young-ish for so long.  

A wearer of Easter hats, and yes, addicted to black coffee. A better piano player than she gave herself credit for, she was an admirable consumer of wine if not a connoisseur and a great fan of gifts, both received and given (accompanied by makeshift cards, always signed with love). Shopping! Boy did she love a good bargain, but the coup de gras of my daughter’s emoji-esque tribute? It has to be the stack of pancakes. A half-hearted cook otherwise, my mother made a damn good pancake, so light and fluffy we generally ate a few more than was advisable. Well into her nineties, she continued to host her in-town family for Saturday morning breakfast. Even on days she burned the bacon and stirred cornmeal into the batter when she meant to use flour, we wolfed it all down.

 

 

 

A couple of emojis I might add to my daughter’s thread … the jet plane, and the stack of books. A wannabe travel agent and a devotee of museums, ancient cathedrals, lush English gardens and French chateaux alike, my mother taught me that travel is the best learning tool we have, with reading a close second. She devoured books, and collected everything from Henry Kissinger’s memoirs to Virginia Woolf’s novels. For that legacy, with apologies to Marie Kondo, I am most grateful. 

My Stats page tells me this is my thirtieth post in the Attic, thirty in about four years, though apparently I’ve shared nothing since last March. Maybe that’s a sign. Maybe it’s time to wrap it up. Lord knows (and as this post surely proves) I have repeated myself, circled around the same themes often enough. I won’t archive the site just yet, but I’m at work on a few other projects now. With luck, I’ll be able to share these one way or another before too long.

Those handy Stats also tell me upwards to six thousand folks have been kind enough to visit the Attic over its lifetime. They–you–have given my posts over ten thousand views. Thank you. Thank you for stopping by. Thank you for sharing the strangeness and laughter and joy and sorrow that come in the wake of losing a parent, no matter how old or young.

Happy 100th, Mom, our one and only.

 

 

 

 

Not Your Mother’s Oldsmobile

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Eyewitnesses to the crime

Exhibit A: Me—twelve, Mom—fifty-four, family pooch—we’ll call it six. Her name, the dog, was Butchie, largely because the Mattingly dogs who preceded her, all male, were called Butch—Butch the first, Butch the second … George Foreman style, and if the tradition can be feminized, why not? The car (or perhaps victim?)—a convertible Cutlass, circa 1970. It belonged to my brother George (imagine that, Mr. Foreman), mid-twenties at the time and two years married to his lovely wife, Connie. Wait, it’s possible Connie brought the Cutlass in question to the marriage, a sort of dowry-like perk. Memory fails, but let’s go with that. It makes a better story, and for sure, I’ll never forget the happy couple’s gnashing of teeth after the incident that left their racy little Olds bashed at the hip …

Late spring or early summer, from the looks of my outfit, sunset of my seventh grade year, and apparently I’d set my sights on the Twiggy award (all arms, legs, and stringy hair). Late afternoon, as I recall, and I’m hanging out in our family den, a bag of potato chips and onion dip close at hand, maybe huddled over a pre-Algebra problem, maybe watching a “Brady Bunch” re-run, most likely fresh off the (rotary) phone from lamenting to a similarly pre-pubescent friend that my crush-of-the-month only had eyes for Laura or Cynthia or one of three other classmates more Bridgette Bardot-like, even at twelve, than Twiggy.

Suddenly, a high-pitched scream outside, at first faint then gaining volume like an oncoming train. I drop pencil and Lays and bolt out the back door, Butchie at my heels, to driveway’s edge. Our driveway (see Exhibit B below), ran about forty yards straight down at a precipitous angle from the street to our house in a hole, as I used to call it, a hole created in some long ago millennium by the babbling creek that flowed five to ten yards, give or take, to the right of said driveway. Just below driveway’s crest, a pile of mail in her arms and pocketbook swinging at her elbow, my mother chases as if to rein in with magical maternal powers her lemon yellow Electra, a popular boat-like Buick of the day. The Buick rolls merrily along, self-driven, ten feet ahead of her. I grab Butchie’s collar and freeze. The car seems more runaway cartoon buggy than dangerous projectile, and I sense in my mother’s screams more panicked embarrassment than fear. Sure enough, the hulking Buick all but eases over the wide drain at driveway’s base, where rainwater sluices away on a stormy day. Rather than careen toward the pup and me, she veers right, groaning, and comes to a cacophonous yet somehow graceful stop, her fall, so to speak, broken by the unlucky Cutlass situated in the handy parking slot my father cleared years before above the picturesque creek.

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The Electra’s treacherous path (note double parking slot to the right)

“Two cars! Two cars!” my mother hollers, spectator pumps slapping gravel and knees knocking beneath the hem of her skirt. Two car crash, she means, and the fact that she, whose exercise regimen features climbing steps and roaming the mall, has survived this descent without serious injury is perhaps most astounding of all. Her arms are empty now, spilled purse and mail littered across the drive, and she flails those arms overhead like a mad wing walker flashing his orange baton on a tarmac. I think I smile a little even then, because honestly, though this will be an expensive mistake, one that might have been tragic, it really is funny.

Moments before, the Electra’s trunk stuffed with grocery bags, Mom pulled over the raised lip that joined driveway to street and stopped, as she’d done countless times before, to fetch the mail. She mashed the emergency brake with her quad A, size 6, foot, opened the door, stepped out to the mailbox, and, ooh la la, there she went, Old Electra, smelling the barn and waiting for neither man nor dreamy woman. The gear shift, my mother surely thought. Did I put it in Park? She did not, and thus did the yellow workhorse begin her joyride home, happily slowed by that emergency brake. How was she to know my brother’s muscle car had claimed her favorite stall?

I wish whoever snapped this Kodak moment had included old Electra, whose escapade left her with quite a shiner (think of the Instagram likes Mom might have earned!), but otherwise, I love the old crash photo, grainy and blued as it is. I love the dense foliage in the background that was the leafy oak that used to shade my friends and me in the creek below as we hopped from rock to boulder, building dams and creating imaginary villages. I love the tall tree trunk to the right, one of so, so many towering pines in our Georgia yard. I love having a pic of Butchie, RIP ole girl, with her graying beard, and mostly, I love the amused look on my mother’s face, the hint of guilty delight that says she owns this crazy humiliating moment, much the way she owned others during her long wacky years of rearing six children.

It’s funny, I don’t remember much anger associated with the Cutlass caper—check that, George was pretty stoked, but who could blame him? I associate with it instead one of my father’s exasperated shrugs and the eye roll that often followed. Needless to say, our family weathered troubles much more serious over the years than a two-car crash (though how it must have stumped our insurance agent–who/what was at fault?). We weathered times that in the moment weren’t funny at all, but somehow, most of our dysfunctional moments did, in the retelling at least, dissolve into laughter.

It was all about sense of humor, and the fact that my mother and father managed to keep theirs, through better and much worse and even as they aged and life grew close and dark. That legacy is something I thank them for, every day.

A Rose for Miss Louise

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A few of the more colorful selections from my Aunt Louise’s hat collection

I was seventeen the first time I read “A Rose For Emily,” William Faulkner’s eerie tale of tribute to a spinster with attitude. I loved it. The story had just the right blend of macabre romance and Southern sensibility to appeal to my teenaged self, at once idealistic and sentimental. What’s more, I felt a whisper of warm recognition, even affection (despite the arsenic), for Emily Grierson and the “big squarish frame house” where she lived alone in early 20th century Mississippi. I knew that close musty air, the heavy walnut bed beneath rose-shaded lights, the Victorian trinkets and the lace doilies on coffee tables and upholstered chairs. In fact, I knew Emily. I once had a spinster of my own, my Aunt Louise, who walked with a cane and wore frumpy dresses, cameo brooches, pearls, and hats. Always a hat, and for Sunday Mass, a netted veil to cover her impish face. Above, see Louise as a young woman holding a pipe–surely just a play thing, a photographer’s harmless prop. 

Louise was my father’s aunt, my great aunt, though when I was very young that relationship failed to compute. She was just Weezer (pronounced Wee-za), sometimes “the Weez,” and I loved her the way my friends did the grandmothers they visited on Sundays, shared jello with at Morrison’s Cafeteria, or listened to on the phone with half an ear (Yes, Weez, I’ve done my homework and passed a healthy, ahem, stool today). Great Aunt maybe, but in effect, Weezer was my grandmother. My father’s mother died in 1918 of what’s sometimes called the “Spanish Flu” (though its origins have since been traced to Kansas), a victim of our nation’s first pandemic. My father was four years old. Weezer, thirty-something and single, stepped in to raise him and his brother.

A staunch Catholic, by the time I came along Weez lived three blocks from the cathedral and parochial elementary school I attended. On afternoons my mother was otherwise occupied, I would sling my book bag over my shoulder and walk those three blocks in my plaid dress and saddle oxfords. Weezer would greet me at her doorstep with a smile (not much of a hug on account of germs–pandemics will do that), ask me about my day, and dodder off to dish up a special Weezer-snack: Underwood Deviled Ham on Sunbeam bread.

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The Beck and Gregg catalog, 1941, priced for collectors now at $200. I like to think Weezer, a clever writer, had a hand in editing it.

You were expecting Tollhouse cookies? A slice of peach pie or at the very least, homemade fruitcake? Nope, Weezer wasn’t much of a cook. I’m not sure she even owned a mixing bowl. Born the third of four daughters in 1886 in Greensboro, Georgia, Louise Bourne Bickers was a working girl. I’m not sure how she ended up in Atlanta, but I know she and two of her three sisters did. For fifty plus years, Weezer worked downtown at the headquarters of Beck and Gregg Hardware. She was good at her job. Her obituary mentions that for a time she served as “Mr. Beck’s private secretary.” Early on, Weezer needed the money, the stability to weather the Depression with her adopted sons, but as I sift through some of the letters and memorabilia that migrated from her attic to my mother’s and on to mine, I have to wonder. Did something more keep Weez on board at Beck and Gregg? Could it be my great aunt kept taking dictation and typing up work orders even as her septuagenarian joints protested, because she, like Faulkner’s Emily, had a dangerous liaison?

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A holiday greeting from the man I knew only as “Mr. Strickland.”

“Dear Louise …” writes one Paul B. Strickland in shaky blue script. “Being a poor hand at selecting presents, it is hoped the enclosed will be acceptable as it carries my wish for you the merriest of Christmas greetings … It would be best if you would use it for something you desire for yourself. Very pleasing to me but use it as you wish and I will be happy. Sincerely, with love, Paul. December 25th, 1961.”

This is the one missive in which Paul addresses Weezer as Louise. Otherwise, it’s “Miss Bickers,” though tellingly, he signs off “Paul,” and “with love,” in each of the letters I’ve found. In 1962 he concludes “with a heart full of love to you.” Family letters as early as the 1930s mention Mr. Strickland. My uncle, planning a visit home from Ohio in September, 1953, writes: “Weez–Reckon Paul would let you off Monday afternoon?”

Paul, it seems, was the boss man. 

My father used to joke about catching Weezer and Mr. Strickland unawares when they were younger. Now and then, he came upon them sharing the living room couch. If Mr. Strickland had his arm around Weezer’s shoulders, he would do the quick head-scratch retraction, as if they were naughty teenagers. My older sister and brothers remember his Sunday visits in later years. Dressed in coat and tie, Mr. Strickland would sit and smile, always at a proper (social) distance from Weez, on a dusty glider on her front porch. But he said little. By this time, both had retired. Paul lived alone in the Georgian Terrace in midtown. Weezer had moved six miles north to her big squarish house. After seeing each other over their second cup every day for decades, they must have felt oceans apart.

Still they kept visiting, and after Weezer lost a second sister to the 1962 Air France crash at Orly, Mr. Strickland was right by her side, comforting her. Why did they never marry? Wherein lay the danger in this liaison? Was it simply against workplace etiquette? Maybe early on Weezer hesitated to inject a new father figure into what was already a dysfunctional situation for my father and uncle. Could be Mr Strickland was reticent about engaging in that dysfunction, though there’s no evidence of that. But later, ten, twenty, thirty years later? My mother’s theory, which no doubt trickled down from my father’s clan, was that Weezer was afraid of passing along the tuberculosis she contracted as a girl (germs, at it again), that even after being cured she vowed never to kiss a man. Hmm. My brother Tom posits that perhaps Mr. Strickland was, God forbid, a Protestant. Might Weezer’s fierce faith have led her to resist his advances, maybe even to lean on a certain germophobia to soften the blow while avoiding a “sinful” entanglement?

My mother’s attic, though teeming with rosaries and relics of the saints, has not provided a clear answer. Weezer was a prolific letter writer, or letter-typer, I should say. She tapped away with dry wit on Beck and Gregg letterhead, often annotating and always signing by hand. Two weeks before my parents’ 1941 wedding, she needles my father about expensive gifts and potential guests and updates him on a family controversy concerning their write-up for the paper. “When I get ready to announce my engagement …” she writes. “I’m going to write it myself, or get St. Peter to do it.” And handwritten on the reverse is this: “Will there be any question about the priest marrying you in Sara’s back yard? Better see!”

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Letter (misdated 1951 but sent in ’41) Weezer wrote to my father a few weeks before his wedding.

My mother was a Baptist. The logistics of getting them hitched by a proper priest in her small Florida town created many a sleepless night for my father’s kin. The idea of their marrying at all gave them apoplexy. In this day of destination weddings and bachelorette weekends and TV rose ceremonies, it’s easy to look back and laugh at their anxiety, but to Weezer and her family, marriage was more sacrament, less party. The traditions of the Church mattered to them. A lot.

And yet, in the end Weezer gave my parents her blessing. She bent the rules for the man she’d raised and loved like a son. Why not do as much for herself? And who even was this man my surrogate grandmother loved in secret? I ran a Google search. Nothing. On Ancestry.com I found a possible match for a Paul Strickland, born June of 1883, died August 15, 1970. Made sense. My clearest memories are of visiting “Mr. PBS” in a nursing home. Beyond that, no updates, no ancestry leaf-hints. Far from satisfied, I went to the downtown library and found (on microfiche) this Mr. Strickland’s obituary. It revealed that he’d resided in Atlanta, that seven years prior he’d retired as vice president from Beck and Gregg Hardware (bingo), and that he was survived, as Weezer would be two years later, only by nieces and nephews.

Then this: “Services for Paul B. Strickland, 87 … will be held at Concord Baptist Church at 3 pm.” Baptist. And retired at age 80–who works until 80? A man who prefers the company of a co-worker to his empty apartment.

Late in her spinsterhood, Faulkner’s Emily Grierson finds a sweetheart in Homer Barron, a Yankee foreman on a scalawag-inspired construction project. Some in town are hopeful Emily will marry at last. Others, namely her out-of-town kin, are scandalized by the idea of Emily taking up with a Yankee. Their outrage, stoked by Emily’s pride, leads to a haunting conclusion some see as a twisted sort of triumph for Emily. Faulkner later said this about his story: “I pitied [Emily], and this was my salute … to a woman you would hand a rose.”

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“Mr. PBS says they are Fine Children.”

I don’t pity my Aunt Louise. I admire her. She stood down a pandemic, bound together a splintered young family, supported her sisters and cared for aging parents. In a time when women didn’t much, she built a career for herself and found fulfillment in it. She lost two sisters far too young and outlived a third. And somewhere across town–who knows, maybe just where she wanted him–she had a partner through it all.

December, 1949: Weezer writes my father to thank him for sending along a Christmas card and a photo of my three oldest siblings. “There is a Santa Claus!” she begins, and goes on to describe the dialogue that transpired among her and her co-workers as she passed around the card:

“First Man: ‘Who are those children?’

Weezer: ‘My grandchildren.’

First Lady: ‘Whose children, All three so pretty?’

Weezer: ‘My grandchildren.'”

This routine continues with another “Lady” and three Men giving like responses before Weezer signs off, with love. Then, as if she just can’t hold it in, she types a P.S. for my dad: “Mr. PBS says they are Fine Children.”

I feel I know my great aunt Louise a little better now, Louise the woman, the survivor–feisty, hard-working, proud, and passionate in ways her faith and her scarred past caused her to hide.

A dozen roses to you, Weez. I bet you smoked that pipe with abandon.

Time, and Time Again

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My dapper dad, in his late twenties.
Today, October 9th, 2016, would have been my father’s 102nd birthday. I’ve written about him and his tumultuous life here before, a few times over, so I won’t wax on. I’ll post a few photos, though, sort of a “Souvenir Sunday” in his memory, or his honor, or both. Thirteen years since we lost him, and I still miss his wry humor, his balanced and intelligent guidance, the devilish grin he liked to flash early mornings, when he was the only one in the house in a good mood.

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Officer Mattingly in his Army greens, circa 1945, admiring my older sister.
Well of course I miss him. He was my father, and yet, for the first time since his death I forgot to think about him, or the fact of his birthday, until I’d been up and out of bed for a solid two hours. Around 9:30, I opened my phone and my eye registered the date. Wow, I thought, and felt a flush of shock and shame. Time’s funny that way, isn’t it. You lose someone, a parent, a sibling, a lifelong friend, someone so fundamental to your being  you can’t imagine living on after he or she is gone. Still, you have no choice but to do the laundry or write the article or move the child who is no longer a child to college and the years slip by and you wake up one day to realize hmmm, you’ve done it. You’ve survived, and wonder of wonders, it’s happened almost without your knowing it. You’ve simply lived, rearranged your day-to-day in ways that have eased the sting, plugged the holes and filled up the spaces that once felt so gaping and raw. It’s not so much that the spaces are gone, or even that time heals. It’s just that time is time. Like it or not, it chugs past and most of us, the lucky ones I guess, can’t help but jump on the running boards and hold on for dear life.

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A favorite of Dad from his golden years, with my daughter, whom he called “Emma Liz.” It reminds me of the shot of him with my sister. Twenty years later, Emma still keeps it in on her dresser.
Besides … I have the Attic! Or more precisely, the Attic’s scattered remains that have found new life here in my house. Thanks to Mom and her inability to clean out when cleaning out was called for, I can time travel, nostalgically speaking, and have a little visit with Dad. So I made myself a hot cup of Lipton tea–his signature drink–and began shuffling through stacks of photos and letters. Just seeing my father’s face, and especially his handwriting (Miss Martha A. Mattingly, he scrawled across an envelope meant for me during my sophomore year in college) lifted my spirits. His script is hurried but generous, with little white space on the page, and it strikes me now that this was just like him. My father always was a man on the move, a Puritan work ethic-in-motion who wasted not and always kept his tee’s crossed and his i’s dotted. But he braked for family and friends, my father, and that made all the difference.

Here’s the letter Dad enclosed in that envelope from my sophomore year. He wrote it October 5th, just before his 65th birthday. Apparently, I was headed off for a weekend with friends rather than coming home for the family bash. (What was I thinking? Sixty-five is a big deal!) Note to my whiney mother-self: Dad took this news with good humor and wished me a happy time wherever I was going. There’s nothing special about the letter otherwise–he and Mom were off to the Symphony that night, he was enclosing a check to help with my “tight finances” (which they weren’t, thanks to him), and he sure appreciated my phone calls whenever they came, said they brightened his spirits, “put life back” in their big, quiet house.

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Dad and I, circa 1976, in a garden somewhere in England, on one of the many trips abroad that as the “baby,” I was lucky enough to be part of.
I imagine that house felt plenty big and quiet, much quieter than I knew. Our youngest is now in his senior year of high school, and I feel his leaving already, his Pottery Barn Teen bed shrinking around his broadened shoulders, his keen mind yearning for space and freedom to question and grow. The unoccupied corners of our house now loom larger, blow a little draftier each day. But there’s good news. In one way, I take after my mother. Between the kindergarten artwork and piles of yellowed report cards, the baseball lineups and class photos and Playbills I’ve collected from our family’s younger days, I have plenty of sorting and tossing, and yes, safekeeping to do, more than enough to keep my mind off of all these empty rooms as Time does its thing, and chugs on.

 

 

 

Color Me Burnt Sienna

October gold
October gold

Yesterday, October 19th, marked the one year anniversary of my mother’s death. I’m a day late and a dollar short, as my father, who was never late for anything, was fond of  saying. We lost him in October, too, twelve years ago on the 25th, just about a year to the day after my closest aunt left us in 2002. Then there was my maternal grandfather. Let’s see, he went in October, 1979, on the kind of warm bright autumn day in his north Florida town that makes surviving the area’s blistering summers worthwhile.

Is it in the blood? All these beloved folks died of natural causes, three of the four “of old age,” to put it rather unscientifically. It does make you wonder–is there something about the month itself that draws my kin to their final rest? Something anesthetizing about the cool rains, the majestic leaf fall, the smell of woodsmoke? Or is it the irresistible allure of all those zombies and skeletons knocking on doors on the 31st? Maybe thoughts of the great saints preparing for their feast day November 1st? I can’t say, but here’s another funny thing. My father, and that paternal grandfather, were BORN in October, too. I’m ashamed to admit I don’t recall the day my grandfather was born but I know it was in October. He used to wear a pin in his tie, a thin strip of gold topped with an opal. I remember the opal’s glossy shine, its smooth oval surface, one he let me rub whenever I drew near. His birthstone, my mother told me the first time I asked about it. The notion that a man would wear a birthstone pin both surprised me and filled me with awe.

The Payne children, when they were children, begging candy at my mother's house.
The Payne children, when they were children, begging candy on my mother’s back stoop.

And hold on a sec, that grandfather’s wife, the only grandmother I ever knew, she was born in October, too. As were many of my dear friends (thanks to those handy Facebook reminders, far more than I realized). What can it all mean? Probably nothing more than that for me, October is as fickle a month emotionally as she is meteorologically (the mercury here dipped into the 30s last night, while weekend highs are predicted near 80). If nothing else, this might explain why when a good friend exclaimed in an email the other day that October was her favorite month, my heart sank.

Color change in Lake Toxaway, North Carolina
Color change in Lake Toxaway, North Carolina

I prefer April. She and October are sort of sister months aren’t they, cosmic mirror images, the earth tilted to the same degree in relation to the sun? (Can you tell most of my astronomical smarts come from lessons learned while building styrofoam solar systems?) But April. Ah April. For me, far from the cruelest month, she’s the month when moisture returns to my skin, the sun grows warmer each day, doors and windows open and the sneezy mold and dust of winter rise up and out. The trees burst into showy flower and perhaps best of all, baseball season gears up!

An October victory over the rival. My second son, #78, dumps the Gatorade in celebration.
An October victory over the rival. My second son, #78, dumps the Gatorade in celebration.

Traditional carving night!
My daughter, designer and assistant carver. Tradition!

October? It heralds the end of things I most enjoy–more hours of sunlight than not, long walks in shirtsleeves, the comfort of 160 Atlanta Braves’ games to come. And yet … October has football, and pumpkin-carving, and the holidays aren’t far off and of course winters here in Atlanta are blessedly short. My mother preferred fall and disliked summer. She hated to sweat, had spring allergies, loved nothing more than wearing a crisp blouse under a wool suit. Maybe that’s it. Maybe, during her last weeks, difficult weeks during which I realize now I was doing everything I could to keep her alive when she was ready to go, she finally decided enough was enough. It might well be that October felt like home to her. Perhaps she felt those spirits who went before her–her father and my father and her sister–beckoning so strongly she could no longer resist. I can’t say. We can never say.

The tree that shades my parents' resting place.
The tree that shades my parents’ resting place.

I imagine October with all its golds and greens and browns will always be a month when melancholy will have its way with me. I’ll remember my parents’ passing, and my grandparents, and those of friends I’ve begun to lose along the way, some of them in autumn, too. October is a soft month after all, a sleepy one, restful. And you know what? I guess there’s nothing else to do but let the sadness wash in and through, to look the painful memories square in the eye. Then, when I look back I can better see the beauty of October. Its short golden days, the chilly football nights, the amber sunsets on an emptying beach–wistful, yes, but lovely. I can never say you’re my favorite October, but you get my attention, and my respect. You hold in your cool velvet hands the souls of so many I’ve loved.

Warmest October, Seagrove Beach
Warm October: my youngest with his cousin, Seagrove Beach, late 2000’s

Day is done.
Day is done.