The Places We Become

Tuesday, January 28th, 2025, would have been my brother John’s 75th birthday. I woke thinking, Oh, I need to call John today. How strange, how wrong, it felt not to have one of our cross-country chats. Like me, John was born and raised in Atlanta. When he was around thirty and I was twenty-ish, he moved to San Francisco. There, he became a clever, in-demand, pen-wielding ad man, later a creative director who befriended the celebrities he hired for shoots or met in Marin County on his children’s ball fields and school auditoriums, celebs like Steven Spielberg and Téa Leoni. Over the years, those of us living our quieter lives back east kept hoping something would draw John home to stay. We missed our smart gentle brother, but California had lassoed his heart for good. Our southern charm and Georgia sunshine were no match for the fog rolling in off the mighty Pacific, the hills rising impossibly beneath the wheels of the cable cars, the giant conifers piercing the skies, the 49ers, and the quirky beach towns where John summered with his family.

John and me, with our mother, in the early years of his California life.

John’s son and daughter grew to love San Francisco and Marin County with a passion to rival his. On Saturday, the first anniversary of his passing, Ben and Laura Lee held a memorial service in Stinson Beach, the quirky beach town John loved best. Tucked below Mount Tamalpais in West Marin, Stinson curves along a peninsula east of Bolinas. Seals swim and dive for their dinners in the lagoon on the peninsula’s north side. Egrets and herons glide over the sea and roost in the trees.

Our family had visited John often in recent decades, and these wonders of Stinson, the memorial itself, brought him back to life in bittersweet ways I hadn’t expected. Ben and Laura Lee set up a display that featured laminated copies of the print ads John created. His original portfolio briefcases spilled their treasures: John’s brainstorming notes, folders holding rough drafts, more ads, including one for a brewery that features John himself striking a gangster-like pose. A longtime colleague told tales of John’s ad days and reminded us he earned a professional nickname–Mad Dog Mattingly–when he once shed his Southern gentleman skin to stand down a difficult and demanding director. John’s children shared stories about John as a California Dad–the hours he spent shoveling snow at their cabin in Lake Tahoe to create luge-worthy troughs for their sleds, the steak dinners and fish fries he prepped, his habit of pulling over at every turnout during countryside drives–“Take it in, kids” his favorite refrain as they gazed together at the sea, the mountains, the dramatic cityscape of San Francisco. As her comments drew to a close, Laura Lee spoke of John’s close relationship with his grandson, her five-year-old son Ollie, who called him Poppy. With that, Ollie rose from his seat and lifted a basket from a table near the front. “California poppies,” Laura Lee said as Ollie handed out small bags of seeds for those in attendance to plant. Later, she, Ben, and Ollie spread John’s ashes beneath a Blue Oak tree that rises leafy green atop a slope of Mt. Tam, where in better days John loved to hike and think and admire the view.

One of John’s portfolios

The next day, as we walked Stinson’s main drag, we paused in front of the tiny Stinson bookstore that sits across from a bar and grill called the Sand Dollar, a bookstore we learned John dreamed of owning. Sell books by day and live in the apartment above by night. Somehow I never knew, but that’s how John hoped to spend his golden years. I’d wager he read nearly every book in that store, but life got in the way. In his early fifties, John developed a bad back, had a couple of failed surgeries, and spent the next twenty years struggling to adjust to the often debilitating pain that resulted. His dream was deferred, as so many are. Though this makes my heart ache, I’m glad to know of it. It helps me better understand the brother I loved.

Home now, I can hardly wait for my poppies’ spring bloom. And I’m grateful for the new memories of John I’ve gathered, new images of him as a California man. Among these, I’ll cling to two in particular, one grounded in reality and the other a bit of a fantasy: John resting for eternity in the shade of his Blue Oak, a chilly breeze rustling and the mighty Pacific spread before him, and John very much alive, shelving books in his tiny store, his glasses on his nose and his mustache twitching as he chats and smiles and rings up customers. As dusk falls, he turns out the lights, scales the stairs without pain, and enjoys a steak and a glass of wine, the rumble of the surf in the distance and the summer bustle of his adopted town below his window.

John’s Blue Oak. Swinging beneath, his daughter; gazing out to sea, his son; playing, his grandson.

Namaste, Bro

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Ed and I and apparently, an early edition Twizzler, Summer 1967
Somehow, we’ve been slung around the sun yet again and here it is, May 3rd. Earlier this week, I decided NOT to write about my big brother Ed, who died on an Atlanta May 3rd very like this one–bright, breezy, warm but still spring fresh, the air just a touch heavier, loamier than a week ago, way back in April. I mean, enough already! I’ve written about Ed before. The Attic faithful know all about his misadventures as a Marine in Vietnam, his “punny” way with words, his painful yet contemplative death (see Brother, Brother in the side bar!). What’s more, my MacBook is in hospital (wine spill and the drunken slash symbol now dances mercilessly across the screen), and writing (never mind, creating) on this effing PC borrowed from my husband’s office is proving the adage that you can’t teach an old hack new tricks. (How the heck do I UNDO an action? Moments ago, I hit something in the vicinity of the “numlk” key and deleted this entire post and had to start over. And don’t get me started on the backwards scroll bar …)

 So I reckoned I’d bow out of this one, skip the ten-year mark in this age when no one with a shred of social media self-respect would miss the chance to celebrate an anniversary so post-worthy. I stayed strong through my second cup, especially after my initial efforts to navigate Google Chrome on this blasted machine left me in knots. I took a good Ujjayi breath and headed off to Wednesday yoga in search of some balance. A few Warriors, a couple twisting Chair poses, way too many Vinyasas, and it happened. As the class contorted with a collective grunt into pigeon (pidgen?), the music (which I’d hardly noticed before, as any good yogi wouldn’t) transitioned to a breathy version of “A Whiter Shade of Pale.” I jerked up my head, made awkward eye contact with my neighbor, snuggled back over my Gumby hip. A chart-topper for years in the UK and Europe, the 1967 Procul Harum original made it only to number five in the States. You don’t hear it much these days, but it was Ed’s Numero Uno. He played it as vinyl, eight track, cassette and CD. He sang it A Capella (and out of tune) ALL THE TIME.

Maybe it was magical thinking, maybe a fleeting moment of Nirvana, but of a sudden, Ed was right there on the mat beside me, slinking his long limbs into their own Twister trick (a game he excelled at, as he did most games). I closed my eyes and smiled, relaxed into the lyrics as they came in his deep playful voice–We skipped the light fandango, turned cartwheels cross the floor …

How could I take this as anything less than a cosmic nudge? Just like that, I determined to come home to do what I’d vowed not to, write about Ed (though for me, in brief, wouldn’t you say?). I don’t know, maybe big brother wants (certainly deserves) at least a nod on this day when so many across the country are thinking of him, missing him, laughing to themselves to remember his jokes and his ironic grin. There’s his widow and daughter and grandchildren in Oregon, our brother in San Francisco and sister in Pennsylvania, his many loving in-laws in New Orleans, his nieces and nephews and friends all over, and of course, those of us still in the city he loved–two more brothers, a son, the youngest daughter and their families and of course, moi, the kid sister (whose children adored their Crazy Uncle Ed). 

This morning, many of us shared the usual email thread, a few photos, to reminisce. And just now, my niece reminded me that ten years ago, as we let fly Ed’s ashes over the chilly mountain waterfall where as children we used to swim and dive and scare our mother’s hair straight, Procul Harem played on a boom box balanced on a strong and solid Carolina rock.  

Which leads me to believe maybe a few other folks heard Ed today, too, … as the ceiling fell away … and he wandered through his playing cards, calling out for more …

Ed and Emma
Ed, who had a way with kids and babies, holding my daughter, Emma, a few hours after her birth.

Boys to Men

Fun at the Lake, the Mattingly Brothers, late 1950s
Fun at the Lake, the Mattingly Brothers, late 1950s. George, Ed, John, and Tom.

Growing up, my sister and I were bookends to a guy bookshelf, the girly bread on a sandwich four-boys thick. It made for a rowdy childhood, a household full of mischief, especially for my sister as the oldest. At right, my brothers are boys again, enjoying a warm summer day in the north Georgia mountains. Originally a slide, (one of thousands my oldest nephew has tirelessly digitized), this photo is straight out of Mom’s attic. Of all the grainy, dog-eared images I’ve sifted through lately, this is one of a few that nag at me, keep me clicking back, again and again.

Westminster Men's A Capella, 2015-16, at Tate Mountain, Georgia.
Westminster Men’s A Capella Retreat, 2015-16, at Tate Mountain, Georgia.

When a week or so ago the photo at left popped up on my Facebook feed, I pulled the old brothers’ pic up yet again. The dock and dive tower, the distance to the far shore, the reckless joy of a summer’s day on the water struck a familiar cord. I’m pretty sure the setting is the same. Now and then, our family tagged along when my uncle visited a friend’s summer home at Tate Mountain, Georgia. The dive tower has been rebuilt (though whether with safety or increased risk in mind is hard to say) without sacrificing the earthy primitive feel of this remote mountaintop retreat (It’s private, by the way, so don’t get any ideas).

This coincidence of place, though it got me thinking, isn’t really the point. It’s the fresh faces, the body language, the endlessly varied expressions of these young men–even the ones I hardly know–that grip me. In part, it’s something shared, some deep boyishness in their bearing that plucks my heartstrings. I think of my own sons, young men now but still boys to me. I think of my father, who loved lake and ocean and waterfall alike, and most of all, I think of my brothers, those four guys I idolized as I grew up (even when they were needling me, calling me disparaging names, and later, ordering me to the kitchen for beer and snacks to enrich their football afternoons).

I didn’t know them when they were as young as the first photo depicts, but I swear I get a glimpse of the men my brothers were to become. In Ed, the oldest, there’s a certain vulnerability, an eagerness to please. I see the hesitant but dutiful Marine he would one day become. Next, George the renegade, slouching, planning his next move as he sizes up the photographer with a skeptic’s eye. Then John, his hands crossed so sweetly, a little aloof, always thinking. Finally, Tom with his wily grin, the youngest but always his own man, witty and confident.

ROTC Ed with brothers, Marist School, Atlanta.
The brothers a little older. ROTC Ed at left. All students at the Marist School, Atlanta, the others would follow his lead.

Why do we cling so tightly to images, both recent and long past? Maybe because a moment caught in time can be just this full of possibility, studded with character clues, even hidden meaning, long after the subjects pictured have moved on or passed away. Maybe this lies behind our current compulsion to click and edit, post and share, zoom and enlarge. We have this need to document, leave something behind, even if we aren’t sure what will prove meaningful, even epic, and what will be trash. (Consider the tattered photos my one-eyed father snapped on his old Kodak. Mom kept those too. Family members are split down the middle or cut off at the neck; grand cathedrals bleed off the page while front and center is a nameless fire plug, an unidentified stretch of highway, or as shown below, a blank wall and tasteless curtain. Très post-modernist my father, and he never knew it.)

White Wall, with Son and Daughter, circa 1969.
White Wall, with Son and Daughter, circa 1969. Note Tom’s steely grip and the terror in my eyes.

Maybe I’m full of baloney! Maybe we just like to see ourselves, capture our requisite fifteen minutes (isn’t it more these days?) of limited fame so we can broadcast it to the cyber world. But I will say this. I’ve know some of the guys in the more recent Tate Mountain photo for years now, a few of them since they were kindergartners, and I get the same dizzying sense of deja vu when I see them here. There’s the kid who always made the moms laugh on the playground, just as playful now. And another, still gentle and wise and shy of his movie-star good looks, a third always cool, a little wary of what’s being asked of him. As for my youngest son–far left, second tier, blue trunks–I can’t quite put my finger on it, but something about his stance, that hand at rest on the railing, the muted smile, has been part of him since the day he was born.

I’ll close with a PS snapshot of my brothers with my sister and me. They don’t look that different, do they? I mean their expressions, their essence, shine through. And what a comfort it is to see that Ed, whom we lost eight years ago, kept that boyish smile, the warm heart it heralded, right down through the years.

Mattingly Siblings, 2005, Smithgall Woods.
Mattingly Siblings, 2005, Smithgall Woods.